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Latest Posts
Sunday, June 25, 2006 at 5:30 PM
Downtown Music Productions Presents June 18 Music and Satire Concert
Composer Darcy Reynolds Cloven Dreams to Be Performed by Sontonga Quartet in Grass Valley, California on June 17
Weaving Japanese Sounds, Music of Modern Japan on June 18 at Klavierhaus, New York, Featuring Japanese and Japan Inspired Works
Ensemble Pamplemousse @ the stone, july 6th 8pm
RAMBOX - Rama Gottfried's free audio mail project
Numinous+ presents Vipassana on Thursday June 22nd at 8:00 PM-Puffin Room Gallery, SoHo
The Moon of the Floating World by American Composer Charles Griffin to be Performed in Riga, Latvia on June 16 by Putni Female Vocal Ensemble
Soprano Melanie Mitrano to Perform as Part of Evening of Songs and Rags on June 14 at New York Mercantile Library
Argentinean Pianist Mirian Conti in Concert at Merkin Concert Hall on June 15 – Featured Works Include Three World Premieres and Argentine Piano Music
Record companies, artists and publicists are invited to submit CDs to be considered for our Editor's Pick's of the month. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019
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Record companies, artists and publicists are invited to submit CDs to be considered for our Editor's Pick's of the month. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019
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Saturday, May 06, 2006
New Music Marathon at Northwestern University featuring Alvin Lucier - May 21, 2006
The Northwestern University School of Music and New Music Northwestern are pleased to announce the seventh annual New Music Marathon, a daylong event featuring nine hours of new and experimental music on Sunday, May 21, 2006.
This year’s Marathon will spotlight the work of Alvin Lucier, our featured guest composer, including three rarely performed works – Carbon Copies (1989) for saxophone, piano, percussion and environmental recordings, Panorama (1993) for trombone and piano, and Music for Cello with One or More Amplified Vases (1992) – as well as Lucier’s seminal Music on a Long Thin Wire (1977), a sound installation for audio oscillator and electronic monochord that will run throughout the day’s events. Mr. Lucier will be in attendance.
Other composers represented include John Adams, inaugural winner of Northwestern’s Michael Ludwig Nemmers Prize in Musical Composition, Augusta Read Thomas, Jason Eckardt, Arvo Pärt, Stefano Gervasoni, Paul Koonce, Paulina Sundin, Steven Takasugi, and several young Chicago area composers. Performers include the outstanding Chicago pianist Amy Dissanayake, ensemble dal niente with soprano Tony Arnold, members of International Contemporary Ensemble (ICE), the Fine Arts Music Society, and several student musicians from the Northwestern University School of Music.
The concerts begin at 2:00 p.m. in the TV Studio of Lewis Hall with two concerts of multi-channel electroacoustic music and a concert of improvised music. The event resumes at Pick-Staiger Concert Hall at 6:00 p.m. and continues to 10:30 p.m. All events are free and open to the public.
Campus maps and driving directions can be found at http://www.northwestern.edu/visiting/maps/ Parking is free. Admission is free. For additional information, contact the Pick-Staiger Box Office at (847) 491-5441.
Complete Program:
New Music Northwestern presents the seventh annual New Music Marathon
Sunday, May 21, 2006
2-10pm
Lewis Hall
Pick-Staiger Concert Hall
Featured guest composer: Alvin Lucier
2:00-3:15
Electroacoustic Music, Program I
Lewis Hall (TV Studio)
Requiem, part I Komm (1999) Carlo Forlivesi
Allting Runt Omkring (1998) John Young
Out of Breath (2000) Paul Koonce
Utresa (2003) Paulina Sundin
untitled (1999) Chris Mercer
3:15-3:45
Improvisation, backGammon
Lewis Hall (TV Studio)
3:45-5:00
Electroacoustic Music, Program II
Lewis Hall (TV Studio)
Med lekande kval (2001) Paulina Sundin
Anacrusis (2000) Paul Koonce
Kotmun (2006) Suk-Jun Kim
Cadence (2005) Joshua Parmenter
Strange Autumn Steve Takasugi
Pick-Staiger Concert Hall:
6:00-6:20
Jonathon Kirk, trombone
Joann Cho, piano
Panorama (1993) Alvin Lucier
6:20-7:00
Fine Arts Music Society
David Yonan, violin
Sergiy Komirenko, piano
Incantation (1995) Augusta Read Thomas
Fratres (1977/80) Arvo Pärt
Road Movies (1995) John Adams
7:15-7:45
Northwestern University Contemporary Music Ensemble Jeff Nelson, conductor
Shaker Loops (1978) John Adams
7:45-8:00
Masahito Sugihara, saxophone
Peter Martin, percussion
Drew Baker, piano
Carbon Copies (1989) Alvin Lucier
8:20-9:30
Amy Dissanayake, piano
Studio di Disabitudine (1999) Stefano Gervasoni
Passacaglia Carlo Forlivesi
Falling Through Crimson and Lead (2004) Suzanne Sorkin
Asa Nisi Masa (2004) Drew Baker
Crank (2005) Sam Nichols
Six Etudes (1996, 2003, 2005) Augusta Read Thomas
9:40-10:15
ensemble dal niente
Tony Arnold, soprano
Anita Achandav, flute
Alejandro Acierto, clarinet
Justin Ranney, viola
Jesse Langen, guitar
Sean Conners, percussion
Nicholas DeMaison, conductor
Tongues (2001) Jason Eckardt
10:15-10:30
Katinka Kleijn, cello
Music for cello with one or more amplified vases (1993) Alvin Lucier
posted by Coming Events
3:18 PM
Friday, May 05, 2006
Friday, May 12...Transits: Voices out of Wilderness
Friday, May 12 at 8 p.m.
The Tenri Cultural Institute, 43A W. 13th St. (between 5th and 6th Avenues), 212-645-2800
Suggested Donation: $10 general, $5 students
A reception will follow.
For more information, call 217-377-0119
New chamber music by Joseph Di Ponio, Ellen Lindquist, Philip Schuessler, and Matt Vandegriff. Fresh voices in new music present an elegant and rounded program of new chamber works featuring current and alumni members of the Stony Brook University music community. The program includes contemporary tonal and experimental works that offer a sophisticated yet accessible approach to the New York art music scene.
Performers: Laura Barger, piano; Alicia Bennett, clarinet; Oksana Ezhokina, piano; Kathleen Flynn, voice; Glenda Goodman, viola; Michael Douglas Jones, voice; Jenny LaBonte, bass; Erin Lesser, alto flute; Sarah Pratt, violin; Benjamin Robison, violin; Rachel Schutz, voice; Brian Snow, cello
posted by Coming Events
8:54 PM
NEW & EXPERIMENTAL MUSIC AT ROULETTE -- MAY 15-21
ROULETTE presents
at Location One 20 Greene St (between Canal and Grand St) NYC
8:30 PM Admission $15 Students $10 MEMBERS FREE
TICKETS/RSVP: 212.219.8242
Roulette 228 West Broadway New York, NY 10013
contact: press@roulette.org http://www.roulette.org/
Also! Please check out our new ROULETTE BLOG for excerpts of our artists’ music, podcasts featuring interviews with the artists and Roulette TV clips, and musical discussion: http://www.roulette.org/blog/index.php
Monday, May 15th
*BEN NEILL*
Ben Neill (mutantrumpet/electronics,) with John Conte (bass) & Jim Mussen (drums,) presents XIX, a concert of music and interactive video (in collaboration with artist Bill Jones) based on samples of 19th century music and art. Neill, composer, performer and inventor of the mutantrumpet, recorded 7 CDs of his music and has collaborated with Page Hamilton, David Behrman, John Cale and Coil, among others.
*DAVID WATSON & KATHERINE LIBEROVSKAYA*
David Watson has "blown the bagpipes, microtonally skirling and droning, into the 21st century." His work on this instrument subverts conventional expectations, drawing on traditional sources but placing them in the outskirts of new music infinity. Performances range from delicious silence to a veritable 'wall of sound.'
Katherine Liberovskaya is a Canadian video & media artist, exploring live video mixing in improvisation with live new music/sound.
Tuesday, May 16th
*MEGUMI AND JUNICHI MATSUZAKI [JOYFUL SONIC WASH]*
Junichi and Megumi Matsuzaki perform solos and with their trio, Joyful Sonic Wash. Junichi performs on his new powered up "Cyber Guitar 2," a resonant table-top guitar prepared with tubes, a mouthpiece, bells, a thumb piano and various other bits of junk. Megumi will play her sitar with pedal effects, making phrase loops, mixing up melody and noise and oscillating between acoustic and electric sounds. Commissioned by Roulette with support from the Jerome Foundation.
Wednesday, May 17th
*JESSICA FELDMAN*
Composer/Sound Artist Jessica Feldman offers up a night full of new works made especially for Roulette, including a piece for voice and video-camera-monitored-mouth, performed by soprano Beth Griffith. Feldman’s work tends toward interactivity, frequently crosses through many artistic disciplines and often occurs in extremely public or extremely private spaces. Her pieces have been performed, installed and exhibited at art galleries, parks, city streets, tiny closets and concert halls. Recent NYC venues include The Kitchen, the Flux Factory, the Tank & Danspace.
Thursday, May 18th
*DAVID FIRST*
Composer/guitarist David First will present Rocking Pipeline Witness Apologies to Dennis – a new drone-field work dedicated to the memory of his teacher Dennis Sandole, featuring Peter Zummo (trombone,) “Blue” Gene Tyranny (harmonically-tuned keyboards,) Christopher McIntyre (trombone) and First (guitar/laptop.) The work continues First’s usual concerns with various species of acoustical and metaphysical and attempts to make amends for his oft-regretted irresponsibilities regarding his relationship with the legendary Sandole.
*LESLIE ROSS*
Leslie Ross, bassoonist, improviser, composer and instrument-builder, has been creating and performing since the mid 80s. In her Roulette performance, she continues to explore the rich multi-phonics and micro-tonal possibilities of the bassoon (often with electronics or computer) along with her settings of formal scores where improvised material tests -- and where necessary, breaches -- the set boundaries. She will present several new forms as well as excerpts from her sporadically kept ‘music journal’ (3rd installment.)
Friday, May 19th
*MATANA ROBERTS*
Saxophonist/composer Matana Roberts presents CoinCoin: Installation 1, the first performance of her in-progress musical narrative, which explores the defining moments of an extraordinary, yet classic African American history using the traditions of jazz- and improvisation-inspired music, original compositions and various ensemble configurations. With Hill Greene (bass), Jessica Pavone (viola), Layla McCalla (cello) and Mazz Swift (violin.) Commissioned by Roulette with support from the Jerome Foundation.
Saturday, May 20th
*SUSIE IBARRA & ROBERTO RODRIGUEZ [ELECTRIC KULINTANG]*
Electric Kulintang (Susie Ibarra & Roberto Rodriguez) presents a performance of new works entitled 7000 Mysteries. With acoustic and electronic soundscapes, Ibarra (acoustic and electric kulintang, percussion & compositions) and Rodriguez (electronics, claypot, cajon la peru & percussion) weave melodies and rhythms that evoke Filipino folkloric trances in several new sonic narratives.
*MICHELLE KINNEY & JACQUELINE FERRIER-ULTAN [JELLOSLAVE]*
Cellists Michelle Kinney and Jacqueline Ferrier-Ultan have been exploring their collaboration together since 2002 when they discovered a personal and musical kinship that took on a life of its own as Jelloslave. Ferrier-Ultan and Kinney use all 8 amplified strings to sing, squawk, scream, growl and purr their way through their eclectic repertoire. Special guests tonight include: VJ Neverwas (Chris Cunningham) on projections and guitar, and Michael Ferrier, sax.
Sunday, May 21st
*RAZ MESINAI*
Raz Mesinai's music is a unique synthesis of modern composition, cinematic sensibility, freeform electronics and a contemporary take on ancient shamanic and trance traditions. Tonight Mesinai explores the human voice through a microscopic lens, premiering a new piece inspired by the enigmatic book "Seth Speaks," in which author Jane Roberts experiences a prolonged conversation with the disembodied spirit "Seth." Featuring the versatile vocalists Jessika Kenney and Jewlia Eisenberg.
posted by Coming Events
3:45 PM
Wednesday, May 03, 2006
May 11, New Works at the Thalia
Concert Artists Guild & Symphony Space present
IMANI WINDS
afro/latino/euro
works by Mongo Santamaria, VColeman, Manuel de Falla, Astor Piazzolla
arranged/transcribed by VColeman, Wayne Peterson, Jeff Scott
Thursday, May 11th, at 7:30 pm
Leonard Nimoy Thalia at Symphony Space
Discount tickets $16 at www.concertartists.org
Continuing their commitment to the music and musicians of our time, CAG and Symphony Space are proud to present the Imani Winds in concert on Thursday, May 11th at 7:30 pm in the Thalia Theater. Hailed as the “future of the once-quaint notion of the wind quintet” in the Washington Post, this concert demonstrates the ensemble’s rich and unique repertoire described by Grammy.com as “the unique convergence of Pan-African and European sensibilities that is the Imani Winds.”
The concert opens with the jazz standard Afro Blue of Mongo Santamaria arranged for wind quintet by Imani flutist VColeman. Unique to Ms. Coleman’s arrangement is the African song form of call and response which engages the audience. Manuel de Falla’s Four Spanish Pieces, transcribed for winds by Wayne Peterson, follows. Originally for piano, this version captures the range of sound the quintet is capable of while retaining the fluidity and cohesion of the original scored for piano. Steal Away, a traditional spiritual appears in a lush through-composed rendition by VColeman which transcends race and culture in its universality. Rounding out the program are works by Astor Piazzolla, arranged by the ensemble’s horn player Jeff Scott, and Umoja, an original work by VColeman.
True to its founding mission since 1997, Imani Winds, the African American/Latino woodwind quintet, continues to push new cultural and musical bounds. Its intriguing and deeply personal repertoire brings together classical, South American, African and jazz influenced works captivating audiences world-wide. Praised by Gramophone and Essence Magazine for “taking the wind quintet where it rarely ventures,” Imani Winds’ 2005 recording, Classical Underground (Koch International Classics), was nominated for a Grammy Award. The members of the ensemble are flutist Valerie Coleman, oboist Toyin Spellman-Diaz, clarinetist Mariam Adam, French horn player Jeff Scott and bassoonist Monica Ellis.
This concert is the fourth of four concerts in the CAG/New Works at The Thalia series, a collaboration of CAG and Symphony Space. This series is part of a new CAG initiative titled CAG/New Music/New Spaces designed to bring concert music to new settings and engage new listeners. To date, CAG has presented concerts in alternative venues such as Galapagos Art Space, Barbes, BAMcafe & Pianos. Its commissioning program has helped create over 45 new works from emerging composers. By developing, promoting and presenting contemporary music in non-traditional settings, CAG builds new audiences through concert going experiences that focus on the vitality and diversity of the current musical landscape.
Concert Artists Guild is a not for profit arts service organization whose mission is to discover nurture and promote young musicians. Further information can be found at www.concertartists.org.
posted by Coming Events
6:22 PM
May 19-20 -- Indianapolis Symphony Intertwines Mozart & Mahler in Innovative Concerts
Date: Tuesday, May 2, 2006
Contact: Tim Northcutt – (317) 262-4904
INDIANAPOLIS SYMPHONY PERFORMS MAHLER’S SYMPHONY NO. 7 (“SONG OF THE NIGHT”) WITH MOZART’S EINE KLEINE NACHTMUSIK MAY 19 & 20
Innovative Program Juxtaposes Two Masterworks By Intertwining Movements Together
INDIANAPOLIS – The Indianapolis Symphony Orchestra and Music Director Mario Venzago will perform an innovative program that will meld Gustav Mahler’s Symphony No. 7 in E Minor (“Song of the Night”) with Wolfgang Amadeus Mozart’s Eine kleine Nachtmusik by intertwining respective movements from each work throughout the concert in Lilly Classical Series concerts Friday and Saturday, May 19 and 20, at 8 p.m. at the Hilbert Circle Theatre. Eli Lilly and Company is the Title Sponsor of the entire 2005-2006 Lilly Classical Series season.
In a departure from a standard concert format in which works are performed separately and in their entirety, Maestro Venzago has creatively linked the night-themed works by Mozart and Mahler by juxtaposing specific movements from each work throughout the program for the listener. Each movement from the Mahler “Song of the Night” Symphony will be followed by a movement from Mozart’s Eine kleine Nachtmusik to exhibit the thematic contrasts between these two works for the audience.
Commenting on this innovative programming approach, Maestro Venzago said, “Tonight I want to try something truly inventive and innovative. Mahler’s music can be long and complex, and within the richness of sound it is easy to lose focus, so I will take the risk to make a break after every movement and fill it with another night music – Mozart’s Eine kleine Nachtmusik – that is lighter and more relaxed, hoping that that this approach will clean our minds to be fresh for another portion of deep-hearted Mahler.
“I applaud our tremendous Orchestra. Taking on a project like this and fully committing to it is an exciting artistic step for us to grow together and to amaze our audience with our oneness. Please step into our magical world and open your mind to let your imagination guide you.”
Following the concerts, Maestro Venzago will host an interactive “Encores with Mario” presentation in The Wood Room in which he will provide greater insight on the Mozart and Mahler works performed in the program and will elaborate on why he chose to juxtapose these works and perform them in this manner. Audiences are invited to enjoy free refreshments at this event and to discuss the evening’s music-making with the Maestro in a question and answer session as part of his presentation.
Artist Biography:
Mario Venzago begins his fourth season as Music Director of the Indianapolis Symphony and also serves Principal Conductor of the Göteborg Symphony Orchestra in Sweden. Previous posts include Music Director of the Basel Symphony Orchestra (1997-2004), Basque Euskadi National Orchestra in Spain (1998-2001), the Graz Opera House (1992-1997), Deutsche Kammerphilharmonie (1989-1992) in Frankfurt/Bremen, and the Heidelberg Opera House (1986-1989), plus a Principal Conductor post with the Orchestre de la Suisse Romande (1979-1986). He also served as Artistic Director of the Summer Music Fest with the Baltimore Symphony Orchestra Maestro Venzago’s discography includes more than 25 titles, and several have won major prizes including the Grand Prix du Disque, the Edison Prize and the Diapson d’Or.
In Brief:
Highlight: Innovative program intertwines movements from Mahler’s Symphony No. 7 (“Song of the Night”) with Mozart’s Eine kleine Nachtmusik
Performers: Indianapolis Symphony Orchestra
Conductor: Mario Venzago
Location: Hilbert Circle Theatre
Dates(times): Fri. & Sat., May 19 & 20, both at 8 p.m. (Post-Concert Encores with Mario Presentation in The Wood Room)
Repertoire:
MAHLER Langsam-Allegro from Symphony No. 7 in E Minor
MOZART Allegro from Eine kleine Nachtmusik, K. 525
MAHLER Allegro moderato from Symphony No. 7 in E Minor
MOZART Romance: Andante from Eine kleine Nachtmusik, K. 525
MAHLER Scherzo: Schattenhaft from Symphony No. 7 in E Minor
MOZART Rondo: Allegro from Eine kleine Nachtmusik, K. 525
MAHLER Andante amoroso from Symphony No. 7 in E Minor
MOZART Menuetto: Allegretto from Eine kleine Nachtmusik, K. 525
MAHLER Rondo-Finale: Allegro ordinario from Symphony No. 7
Tickets: $10-$60 each
Contact: (317) 639-4300; (800) 366-8457; Order On-Line, anytime, at www.IndianapolisSymphony.org
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posted by Coming Events
9:05 AM
May 6, 2006 - A Night of New York Premieres
The Metro Chamber Orchestra proudly presents "The Music of Wagner & Strauss" - an evening of *New York Premieres.* Metropolitan Opera & internationally renowned soprano Audrey Stottler and baritone Jose Andrade will join Maestro Phil Nuzzo and the Metro Chamber Orchestra at the Martin Luther King Jr. High School Auditorium on Saturday, May 6, 2006, 8PM.
Works to be featured on the program will include the *NY Premieres* of Richard Strauss' "Romanza" for clarinet and strings with soloist & MCO Principal Clarinetist, David Gould, as well as Wagner's "Magic Fire Music" and "Brunhilde's Immolation Scene," as performed from the acclaimed arrangement by Jonathan Dove.
All tickets are $35 and may be purchased on www.TheaterMania.com or by phone: (212) 352-3101. Ticket *reservations* may be made through the MCO office: (718) 645-4277, payment to be received at the box office prior to the performance. Kindly leave a message if no one is in the office at the time of your call. Tickets for Juilliard students (with a valid school ID) are $7 at the door upon the evening of the performance.
For further information, please contact the Metro Chamber Orchestra's publicity department:
Amanda von Goetz, Director
MandySVG@gmail.com
(646) 496-7662
posted by Coming Events
7:24 AM
Sunday, April 30, 2006
May 2-7: IRCAM@Columbia
France’s IRCAM (Institute of Research and Coordination of Acoustics and Music) has been the world leader at producing and performing works for ensembles and electronics for nearly three decades, but rarely have they come to America.
The Columbia Sinfonietta and Argento New Music Project are pleased to present a musical and pedagogical event that will allow the engineers and pedagogues of IRCAM to interact with American students, performers, composers and audiences during a week-long series of concerts, lectures and workshops. These events mark the beginning of a cutting-edge technological and musical trans-Atlantic exchange. IRCAM has already committed to producing a pair of concerts in December 2006, which will include several of the works performed in these concerts. Leading new music conductor Jeffrey Milarsky will also be invited to France to conduct one of these exchange concerts.
The event we are planning will have several aspects:
Concerts on May 6th and May 7th 2006 in Miller Theatre
The Columbia Sinfonietta and Argento Chamber Ensemble will perform pieces from the IRCAM repertoire, written by both French and American composers, which all explore instrumental timbre. The Columbia Sinfonietta’s concert will focus on large ensemble works that are almost impossible to perform in America because of their combination of large instrumental forces, extreme virtuosity and complex technological demands, and Argento’s concert will focus on works for medium-sized groups with high levels of real-time interactive electronics.
The concerts feature a world premiere by American composer Joshua Fineberg, and American premieres of works by French composer Tristan Murail and Swiss composer and French resident Michael Jarrell, and New York premieres by French composer Philippe Leroux and American composer Rand Steiger.
A team of engineers from IRCAM will direct the electronics and install Harvard University’s HYDRA multi-channel speaker orchestra for sound reproduction in Miller Theatre for a seven-day period. Collaborators include Columbia University’s Computer Music Center (CMC) Harvard University’s HUSEAC.
Free Conference Open to the Public
On Friday May 5, 2006 we will hold a free series of lectures and demonstrations, ending with a round-table discussion and question panel.
The two guest composers (Philippe Leroux and Rand Steiger) will present their pieces and discuss the way technology impacted the works. The two hosting composers Tristan Murail of Columbia University and Joshua Fineberg of Harvard University will also offer presentations on their works and participate in the roundtable discussions. IRCAM participants Eric Daubresse and Olivier Pasquet will present technological demonstrations aimed at a general public. The day will conclude with a round-table of issues concerning the mixture of live instruments and electronics.
Open Rehearsals with Composer/Musical-Assistant DemonstrationsÜ and Seminars in Miller Theatre
All rehearsals will be open to any composition students or performers. The four composers will hold seminar sessions along with one of the IRCAM technicians. These seminars will present a detailed look at how the pieces work both musically and technologically and will be intended for smaller groups allowing a substantive exchange among the composers, technicians and students. A group of Harvard graduate students will be spending the week in New York with their Columbia counterparts. For more information please contact Anthony Cheung or visit www.music.columbia.edu/ircam2006/.
Concert Programs:
Both concerts will take place in Miller Theatre and will include pre-concert talks with the composers and conductors.
Saturday Night May 6, 2005: 8pm (pre-concert talk at 7:30)††††††††††
Columbia Sinfonietta with Jeffrey Milarsky
Rand Steiger (USA) - Ecosphere for 16 instruments and electronics†
Joshua Fineberg (USA)- Empreintes for 14 instruments and electronics
Tristan Murail (France) - Pour adoucir le cours du temps for 19 instruments and electronics
†††††††† US Premiere
_______________________________________
Sunday Afternoon† May 7, 2006 6pm (pre-concert talk at 5:30)
Argento Chamber Ensemble with Michel Galante
Michael Jarrell (Swiss/French resident) - …more leaves… for viola, sextet and electronics
†††††††† US Premiere
Philippe Leroux (France) - Voi(rex) for soprano, 6 instruments and electronics
Tristan Murail (France) - Winter Fragments for 5 instruments
Joshua Fineberg (USA) - Lolita (part I) for 10 instruments, narrator and electronics
†††††††† World Premiere
posted by David Salvage
10:09 AM
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