Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019 |
Latest Posts
Ernst Pepping and Allan Pettersson: Moral Dilemmas in Symphonic Music
"The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and... "
Tell the Birds
Soundtrack to an Apocalypse
Feast Your Ears: New Music for Piano
Gone For Foreign
Fred Lerdahl: Time After Time
Nothing Sacred
Two From Wayne Horvitz
Two Fresh Cantaloupes
Record companies, artists and publicists are invited to submit CDs to be considered for our Editor's Pick's of the month. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019
|
Archives
Saturday, December 18, 2004
Saturday, December 25, 2004
Friday, December 31, 2004
Wednesday, January 05, 2005
Monday, January 10, 2005
Thursday, January 13, 2005
Thursday, January 20, 2005
Sunday, January 23, 2005
Monday, January 24, 2005
Saturday, January 29, 2005
Wednesday, February 02, 2005
Thursday, February 03, 2005
Monday, February 07, 2005
Tuesday, February 08, 2005
Friday, February 11, 2005
Monday, February 14, 2005
Wednesday, February 16, 2005
Tuesday, February 22, 2005
Monday, February 28, 2005
Sunday, March 06, 2005
Monday, March 07, 2005
Wednesday, March 09, 2005
Sunday, March 13, 2005
Friday, March 18, 2005
Monday, March 28, 2005
Saturday, April 02, 2005
Monday, April 11, 2005
Sunday, April 17, 2005
Tuesday, April 19, 2005
Monday, April 25, 2005
Monday, May 02, 2005
Monday, May 09, 2005
Tuesday, May 17, 2005
Tuesday, May 31, 2005
Monday, June 06, 2005
Thursday, June 16, 2005
Sunday, June 19, 2005
Sunday, July 10, 2005
Wednesday, July 13, 2005
Sunday, July 24, 2005
Friday, July 29, 2005
Monday, August 08, 2005
Monday, August 22, 2005
Wednesday, August 24, 2005
Friday, September 16, 2005
Sunday, September 25, 2005
Tuesday, October 04, 2005
Tuesday, October 18, 2005
Monday, October 24, 2005
Tuesday, November 01, 2005
Monday, November 07, 2005
Saturday, November 12, 2005
Wednesday, November 16, 2005
Tuesday, November 29, 2005
Friday, December 16, 2005
Monday, January 09, 2006
Thursday, January 12, 2006
Thursday, January 19, 2006
Tuesday, January 24, 2006
Thursday, February 02, 2006
Monday, February 13, 2006
Wednesday, February 15, 2006
Wednesday, March 01, 2006
Sunday, March 19, 2006
Sunday, March 26, 2006
Friday, March 31, 2006
Sunday, April 09, 2006
Monday, April 10, 2006
Thursday, April 20, 2006
Friday, April 21, 2006
Thursday, May 11, 2006
Thursday, May 18, 2006
Saturday, May 20, 2006
Friday, June 02, 2006
Tuesday, June 06, 2006
Friday, June 16, 2006
Monday, June 19, 2006
Sunday, June 25, 2006
Monday, June 26, 2006
Monday, July 10, 2006
Thursday, July 13, 2006
Thursday, July 20, 2006
Friday, July 21, 2006
Sunday, July 23, 2006
Thursday, August 03, 2006
Wednesday, August 09, 2006
|
|
Thursday, January 19, 2006
From one of our own
Jack Reilly, Tzu-Jan: the Sound of the Tarot, Vol. 1 and 2
Last time I wrote about pianist and composer Jack Reilly (also check out his Seq21 blog), he was performing at a tribute to Al Cohn and Zoot Sims. There he spryly injected his classical leanings into a straightforward jazz setting with delightful results. On the two volumes of Tzu-Jan: the Sound of the Tarot, Reilly traverses the boundary between classical and jazz in an entirely different fashion.
Tzu-Jan is two CDs of live solo piano improvisations. Each track is based upon a particular Tarot card, which was projected during the live performance. The premise, of course, conjures up the unrestrained, windy world of free jazz. But Reilly's playing has next-to-nothing in common with the fierce, frenetic blowing that seems to dominate most free jazz. Instead, Reilly grounds himself in classical phrasing, development, and restraint. Reilly finds the key to his success, as Lynn René Bayley points out in the liner notes to the first volume, in maintaining a constant and firm grasp on the structure of each improvisation. Like a chess master, Reilly plans his moves well before they need be made. The end results immediately bring to mind the improvised fantasias described by audiences of renowned pianist/composers from Liszt to Chopin.
All of this is not to say, however, that a jazz fan will find nothing to love on the CDs. Reilly is committed to bridging the realms, and though he avoids most of the genre markers, a bit of jazz inevitably creeps in. Most frequently, harmonic voicings and melodic ornamentation are the sites of the spillage. These moments consistently enrich rather than confound the music.
My only complaint is that the first CD fails to reveal which Tarot card corresponds to which improvisation. Digging into each piece on the second CD looking for clues as to its connection to the associated card adds to the fun. And for those further interested, I'm told that there's an as-yet-unreleased video of the second volume. I'm sure seeing the cards as well as Reilly in action would only augment the experience.
posted by Lanier Sammons
8:13 AM
|
|