Our concert calendar is available for listing all performances of contemporary classical music. Bach and Mozart would not be appropriate. If you are a performer or handle PR for a performer or organization and would like direct access to post your notices here, send us a note. If you don't feel that computer savvy, send the releases here and we'll post them for you.

Latest Posts

ROULETTE - Dec 1 - Judy Dunaway / Ryuko Mizutani
ROULETTE - Dec 8 - Christopher McIntyre
ROULETTE - Dec 7 - Ben Goldberg
ROULETTE December Program
ROULETTE - Dec 9 - Robert Dick & Ursel Schlicht
New York Viola Society Presents “Mixed Doubles” on December 4
Keys to the Future, Evening 1: Tues. 11/7/06
Keys to the Future, Evening 2: Wed. 11/8/06
Keys to the Future, Evening 3: Thurs. 11/9/06

Record companies, artists and publicists are invited to submit CDs to be considered for our Editor's Pick's of the month. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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ROULETTE presents
20 Greene St (between Canal and Grand St)
8:30 PM Admission $15 Students $10 MEMBERS FREE
TICKETS/RSVP: 212.219.8242
Roulette 228 West Broadway New York, NY 10013
contact: press@roulette.org http://www.roulette.org/


Thursday, December 14th

Hans Tammen & Third Eye Orchestra - Available Forms for Jazz

Hans Tammen’s latest project, the Third Eye Orchestra, is inspired by Earle Brown's Available Forms. In tonight’s performance, various sections of players are given scores with various modules, but the conductor is free to choose which ones to juxtapose. Combining improvisational aspects with open form composition, the conductor uses the orchestra as an instrument, while each performer shapes the music through virtuosic improvisation and the individual stylization of musical performance. Hans Tammen (conduction & concept) with Mari Kimura, Jason Hwang, Stephanie Griffin, Tomas Ullrich, Herb Robertson, Ned Rothenberg, Robert Dick, Detlef Landeck, Dafna Naphtali, Ursel Schlicht, Denman Maroney, Stomu Takeishi and Satoshi Takeishi.


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