Contemporary Classical

Lost and Found

Many apologies for going silent for several weeks (I just KNOW you’ve been losing sleep without this column). Without giving excuses, I’ll move right along to three recordings you may not hear about anywhere else: Mark Zuckerman New Music for Strings Seattle Sinfornia; Joel Eric Sueben Momenta Quartet (MSR Classics 1223) Much of Mark Zuckerman’s music is infused with dance figures and folk melodic ideas, and makes us of titles in Hebrew and stories from the Old Testament. One such work, Out of the Wilderness, is a five-movement “symphony” based on a passacaglia and is “a metaphor for the continuing

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Contemporary Classical

Joshua Bell Busking, Beauty, and the American Soul

In a remarkable article in today’s Washington Post, Pearls Before Breakfast, Gene Weingarten examines what happened last Friday when, as an experiment, Joshua Bell busked in a Washington DC subway. What happens, why it happens, and the role that beauty plays in our lives are explored. I’ll let it slip that only 3 people spent any time listening and only one recognized him. A provocative and chilling experiment which explores the spiritual malaise of America more than it touches upon obvious classical/thanatological, arts education, etc. issues.

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Contemporary Classical

Easter Morning Coming Down

Happy Easter or Passover or whatever mystery cult holiday your side of Abraham’s futon celebrates this time of year.  It’s a chilly one here in the Center of the Universe; about 30 degrees (-1) but I’m snug inside and listening to Frank Martin’s in terra pax (Chandos 9464, with Matthias Bamert and the London Philharmonic).  On deck is Stravinsky’s Symphony of Psalms (Naxos 8.557504, Robert Craft with assorted forces) and George Crumb’s The River of Life and Unto the Hills, with Ann Crumb and Orchestra 2001 (Bridge 9218 A/B). What’s on your best-for-Easter playlist?

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Contemporary Classical

The best of times, the worst of times

“But I do believe the people who are the most immortal are the composers. The man on the street, he knows who Beethoven is, he knows who Mozart is. And I’d like to compose.”– Joshua Bell, from a CNN story on his win of the Avery Fisher Prize April 7th, 2011: Gerald called. Says if I don’t do Tchaik in Berlin this November I can kiss my contract goodbye. Sigh. My cello sonata needs the time. I just got the draft back from Yo-Yo who has reservations about the dead butterflies. But that’s the sound I want!! He’d do it,

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Classical Music, Concerts, Contemporary Classical, New York

Getting a Clue

For those of you who may not be familiar with it, there is a seminal document called The Cluetrain Manifesto that defines a new style of communication in an age in which everyone and everything is electronically connected.  Its premise, to which I subscribe, is that the internet is fundamentally different from mass media like television because it allows lots of people to have “human to human” conversations (with all the complexity and difficulty that implies) rather than being force fed a one-sided party line or mass marketing message.  There can be negative aspects to this ubiquetous connectedness.  Some people hide behind the mask of anonymity on the internet to say and do

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Concerts, Contemporary Classical, Experimental Music, New York

All We Are Saying is Give Peace a Chance

Kevin Gallagher, guitarist and founder of Electric Kompany, writes:  I noticed in your Jacob TV piece that there was hardly any mention of the fact that Electric Kompany is doing a world premiere of White Flag (for rock quartet and tape) based on sounds from the Iraq war starring the voices of Bill O’Reilly and George W Bush at the Whitney Museum at Altria on Friday, May 4 at 8pm. Needless to say, I was pretty upset that they aren’t stressing this piece to the press. It’s rare enough to have a world premiere for rock quartet at the Whitney,

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Click Picks, Composers, Contemporary Classical

Steve’s click picks #24

(I think I’m going to switch to mid-week from here on; people seem to like it.) Our regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online: Tom Rojo Poller (b. 1978 — Germany) Born in Osnabrück, Poller began his composition studies in 1996 at the Hochschule für Musik Detmold, continuing with Prof. Walter Zimmermann at the Universität der Künste Berlin (UdK). After an exchange year at the Royal College of

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