Onward and Upward With Social Media
Based mainly on my accidental success in building such a lively, tight knit and fun little community here, I am now getting a few paying gigs from people who want…
Steve’s click picks #19
Our regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since…
Eight Million Stories in the Naked City
Columbia University’s School of the Arts has given John Zorn the William Schuman Award, a major recognition given periodically over the past twenty-five years. Named for its first recipient William…
Contemporary Grande Frappucinos
Out my (Seattle) way, local composer and Seattle Weekly columnist Gavin Borchert this week offered up something titled “Small Apologies“. A few excerpts: Not that I have anything against Tony…
The Good, the Bad, and the Anal
Gérard Mortier, who is famous for painting lipstick on corpses and taking them to the ball, will become general manager and artistic director of the New York City Opera after…
Lost and Found
Garden of Dreams David Maslanka Dallas Wind Symphony Jerry Junkin Writing for a large ensemble, especially a traditional, professional orchestra, can be a dangerous venture for today’s composer. Hours, days,…
What’s So Funny About Peace, Love and Understanding?
The Metropolitan Opera announced that its co-production of Philip Glass’s Satyagraha with the English National Opera will debut next season on April 11, 2008. The ENO is doing nine performances…
Tom Myron on Performance Today
Here’s a programming note to remember. Performance Today will broadcast Tom Myron’s Violin Concerto #2 on Tuesday’s program. The performance–by the Eclipse Chamber Orchestra–was recorded on 5/14/06 in Alexandria Virginia;…
Dispatch from The Miller: Lost Highway
Watching Olga Neuwirth’s opera Lost Highway is like watching a Harry Potter movie after having read the book: the material transfers all right, but one wishes the team behind the…
Lost in Translation?
Since it’s opera week here at Sequenza 21 and there’s a lot of chatter in the comments about transplanting operas between cultures and Galen has raised the topic of fugues…