We Love Advances
Steve Reich’s latest Nonesuch CD recently arrived, sans artwork in a little cardboard case. The disc features Double Sextet and 2×5, his collaborations with Eighth Blackbird and Bang on a…
Steve Reich’s latest Nonesuch CD recently arrived, sans artwork in a little cardboard case. The disc features Double Sextet and 2×5, his collaborations with Eighth Blackbird and Bang on a…
My graduate history seminar on minimalism starts next week at Westminster Choir College. I’ll be teaching the course in a three-week intensive session – three hours a day/four days a…
This was inspired by Alvin Lucier’s classic and still awesome work I am sitting in a room.
Back last December the New York Times highlighted the Stanford Mobile Phone Orchestra. The first link goes to the NYT video of the ensemble, but here’s a nicely quiet work…
I really enjoyed Q2’s broadcast tonight of New Sounds Live, a concert at Merkin Hall by the Bang on a Can All Stars that featured works by Nik Bartsch, Oscar…
Pwyll ap Siôn is a composer and Senior Lecturer in music at Bangor University in Wales (UK). His strong interest in Minimalism (he’s written a book on Michael Nyman) led…
Philip Glass always does the unexpected. Or, as he said to me when we were talking on the phone about his subsequently Oscar-nominated score for Errol Morris’ 2003 The Fog…
Last Friday I finally made it down to the new DUMBO location of Galapagos Art Space to see the release party/performance of Mikel Rouse’s haunting new album Gravity Radio. But…
Many of our regular s21 readers should be familiar with Amsterdam’s own Samuel Vriezen, both as a visitor here on these pages, as well as a composer selected to be…
When I finally struck out for the Kansas City airport on Sunday afternoon, Kyle Gann was about 45 minutes into a very chilled-out performance of his heroic four-and-a-half-hour transcription of…