The positive aspect of having too much of a good thing is that you’ve consumed something good. For me in the last week, the object of my over-consumption has been new works by student composers, not only created by colleagues of mine at the University of Michigan, but the representatives of the University of Iowa, Indiana University and the University of Cincinnati who attended the 2011 Midwest Composers Symposium. Topping off the weekend-long buffet of freshly baked music was Monday evening’s second student composers’ concert of the year here at Michigan (which I will cover in the next installment in
Read more[youtube]http://www.youtube.com/watch?v=0OX_4cJyhgI[/youtube]
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Composers, Concert review, Contemporary Classical, Electro-Acoustic, Events, Experimental Music, Festivals
Judith Berkson performing “Vor an Sicht” (Photo courtesy of Elizabeth Reddin) Vital Vox: A Vocal Festival (Vital Vox 2011) Roulette Brooklyn, NY Sat, Nov 5 & Sun, Nov 6, 2011 I guess there was no better way to kick off the Vital Vox Festival than with a primal scream. Gelsey Bell and her partner for this performance, composer/performer Paul Pinto, actually gave us several of them separate and together at the start of the song cycle Scaling, and they seemed to be the sound that signified both the power of vocal performance and the experimental nature of the festival as
Read moreThe following are extended versions of the interviews I had with Toby Twining and Iva Bittova, who are both appearing at the 2011 Vital Vox Festival (Both will be performing on Night 2: Vocals + Strings) First up, Toby Twining talks about his beginnings and inspiration as well as the new and current material. CM: How did you go from roots in country-swing to rock to the other-worldly music you’ve been making for various instruments, including voices and chamber ensemble? TT: This is a long story—I’ll attempt a Reader’s Digest version. I grew up in Houston and my maternal grandparents
Read moreIva Bittova The 3rd annual Vital Vox Vocal Festival, this year being held at Roulette in Downtown Brooklyn (Sat, Nov 5th and Sun, Nov 6th, 8 PM), is not just about singers, but those that are equally skillful at creating music. On November 5th and 6th, there is a sensational lineup of artists that are gifted at both of those as well as skirting genre lines between new classical, indie, jazz and world music.
Read moreFrom October 14-22 in various locations in New York City, the American Composers Orchestra hosts SONiC, a new music festival co-curated by Derek Bermel and Stephen Gosling. ACO asked me to write an essay for the program booklet, which they’ve kindly let me share with Sequenza 21 readers as a preview of the concerts Trying to sum up the diverse array of compositional styles and performing traditions that comprise contemporary classical music’s many “scenes” is a daunting task. One can scarcely imagine distilling its essence, even over the course of several evenings. But during SONiC: Sounds of the New Century,
Read more[vimeo]http://vimeo.com/29161015[/vimeo] About to turn the ripe old age of 8, Matt McBane‘s crazy idea of a 20-something composer/performer creating an annual new-music festival in a bump in the road north of San Diego has not only survived but thrived. Something about a last late-summer outing, to an idyllic village parked right at a Pacific beach, seems to consistently draw a crowd from both Los Angeles to the north and San Diego to the south for this three-day affair. And, well, maybe it’s just a little about the music, too… Excellent string quartets, pianists and ensembles mix it up with rock
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CDs, Contemporary Classical, Downtown, Electro-Acoustic, Festivals, File Under?, Interviews, jazz, New York, Performers, Video
Songs for Persephone: Mimi Goese & Ben Neill Take a seductive voiced art-pop singer and a post-jazz/alt-classical trumpeter. Add fragments of nineteenth century classical melodies, electronics elicited by a “mutantrumpet” controller. Then add influences ranging from ancient Greek mythology to the Hudson River Valley. What you have are the intricate yet intimate sounds on an evocatively beautiful new CD: Songs for Persephone. The Persephone legend is one of the oldest in Greek mythology, with many variants that provide twists and turns to the narrative and subtext of the story. In the myth, Persephone, daughter of Zeus and the harvest
Read moreFred Ho, Fanfare for the Creeping Meatball: This brief yet buoyant brass fanfare got played at the beginning of every FCM concert. But its jazz noir ambience, jocular rhythms, and even its campy “B-movie scream” (which, on Sunday night, caused unsuspecting Tanglewood fellows assembling onstage to leap out of their seats!) never wore out their welcome. New music gatherings tend to take on a somber demeanor and earnest programming needs to be leavened with a bit of humor. Ho’s piece fit the bill perfectly. ________ Milton Babbitt, It Takes Twelve to Tango and No Longer Very Clear: During the Festival
Read moreDavid Fulmer, Violin Concerto: Written in 2010, Fulmer’s chamber concerto revels in complexity. Those who have heard his performances of the music of Brian Ferneyhough or that of his teacher Milton Babbitt, which sizzle with hyper-virtuosic playing, can readily understand such predilections. Fulmer’s performance as soloist on the Sunday morning FCM concert (on 8/7) was imbued with similar intensity. Compositionally, it’s an abundantly promising work: but it isn’t perfect. Occasionally, one feels that a bit of crowd control might be brought to bear on the thickly scored busyness of the orchestration, to better clarify the angular counterpoint that propels the
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