Contemporary Classical

Contemporary Classical

Darcy Gets a Guggenheim

Delighted to see one of our favorites,  Darcy James Argue, among the 2015 John Simon Guggenheim Memorial Foundation Fellowship winners announced yesterday. The Guggenheim Foundation gives out annual fellowships in a range of disciplines including academia, the arts and science. The organization says they are “appointed on the basis of prior achievement and exceptional promise” and this year’s 175 scholars were drawn from a pool of 3,100 applicants. The organization’s website does not list the amount, saying that the grants vary, “taking into consideration the Fellows’ other resources and the purpose and scope of their plans.” 2015 Guggenheim Memorial Foundation Fellows for

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Concert review, Contemporary Classical, Los Angeles

Early Music of Robert Ashley in Los Angeles

April 1, 2015 was the date and the REDCAT Theater at Disney Hall was the site of a concert by the Southland Ensemble of the early music of the late Robert Ashley. A full crowd was in attendance with only a scattering of empty seats. The Entrance (1965) was first on the program and this was video projected behind the stage showing a keyboard with stacks of pennies being placed on the keys. There were speakers in the back of the theater where the tones could be heard and as a new stack of pennies was to a key added

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Concert review, Contemporary Classical, Los Angeles

The Wild Beasts in Pasadena

The spaciously comfortable sanctuary of the Neighborhood Unitarian Universalist Church in Pasadena, CA was the site for a concert titled gnarwhallaby: The Wild Beasts. On a pleasant Sunday evening, March 29, 2015, a nice crowd gathered to hear the six pieces on the program that included a world premiere. The concert was produced by People Inside Electronics and featured the formidable playing of the gnarwhallaby ensemble combined with historical as well as contemporary electronic sounds. A question and answer session preceded the concert and a brief history of gnarwhallaby was recounted. It was noted that the instrumental combination of the group comprises

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Contemporary Classical

Hear Ye! Hear Ye! SpoletoUSA Unveils 2015 Chamber Music Schedule (and it’s a Doozey)

Geoff Nuttall, violinist for the St. Lawrence String Quartet and Director of Chamber Music for the SpoletoUSA Festival in Charleston SC,  just announced details of the 11 programs for the 33 concerts that will be performed at this year’s Festival . The series runs from Friday, May 22 through Sunday, June 7 and is sponsored by Bank of America.  I’ll be taking in a few of the performances and giving you a report. Among the highlight of this year’s series is the world premiere of Control Freak for improvising singer and instrumental septet, composed by the 2015 composer-in-residence Mark Applebaum. A colleague of

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Contemporary Classical

Bird Lives! In Philadelphia, Of All Places

The joyous news from Philadelphia today is that Bird Lives!  Opera Philadelphia is doing its first premiere in almost four decades and it’s Charlie Parker’s Yardbird,  composed by Daniel Schnyder, whose “thrilling classical-tinged jazz blend…constantly pushes the envelope” (Jazz Times), to a libretto by award-winning poet and playwright Bridgette Wimberly.  The new chamber opera was created for American tenor Lawrence Brownlee, a nominee for the 2015 International Opera Male Singer of the Year Award. Co-commissioned and co-produced with Gotham Chamber Opera, Charlie Parker’s YARDBIRD was conceived and written for Brownlee’s agile, expressive voice, which Schnyder likens to the color and technical virtuosity of Parker’s music. As the New York

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Concert review, Contemporary Classical, Los Angeles

Ferneyhough Concert in Los Angeles

Art Share LA, in the heart of downtown Los Angeles, was the scene of a concert Friday February 27, 2015 entitled Terrain featuring works by Brian Ferneyhough, Brian Griffeath-Loeb and Elizabeth Lutyens. The occasion was the first anniversary of the WasteLAnd ensemble and a nice crowd turned out for an evening of complex music and birthday cake.   The concert began with Recomposition #4 (2012) by Brian Griffeath-Loeb and this featured Mark Menzies as solo violin. According to the program notes “… Recomposition #4 takes Ferneyhough’s iconic violin solo, Intermedio alla Ciaccona, and subjects it to an array of transformations.

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Contemporary Classical

Homecoming: Sir Simon Rattle Named Music Director of LSO

The London Symphony Orchestra announced today the appointment of Sir Simon Rattle as its Music Director. He will take up his appointment in September 2017, following in the footsteps of previous Principal Conductors including André Previn, Michael Tilson Thomas, Sir Colin Davis and Valery Gergiev. As Music Director he will be involved in every aspect of the LSO’s work as well as championing the importance of music and music education. At the announcement of his appointment, Simon Rattle said: “During my work with the LSO over the last years, I noticed that despite the Orchestra’s long and illustrious history, they

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Contemporary Classical

Mata Festival Turns 17; Gets Curiouser and Curiouser

MATA Festival celebrates its seventeenth year, Monday, April 13 to Saturday, April 18, 2015, showcasing the wild variety of today’s compositional climate with a sweeping range of original compositions by thirty composers under the age of 40 from seventeen countries around the globe. Curated by the newly appointed Artistic Director, Du Yun, the 2015 Festival received international submissions from nearly a thousand composers—increasing by hundreds each year and confirming MATA’s booming status as the leading international festival for emerging composer talent. Among the Festival’s featured works are eleven American premieres and nine world premieres—three of which are Festival commissions—representing voices

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Concerts, Contemporary Classical, Music Events, New York

American Modern Ensemble Returns to SubCulture with BLUE

A week from today, the American Modern Ensemble will bring a brand new program to SubCulture‘s stage. Entitled, “BLUE”, this upcoming performance celebrates the release of AME’s latest album, Powerhouse Pianists II, which features pianists Stephen Gosling and Blair MacMillan performing works for two pianos by leading living composers including John Adams and John Corigliano. The program AME will perform at SubCulture will feature an array of the group’s talented players performing works by Margaret Brouwer, George Crumb, Robert Paterson, and Frederic Rzewski, among others. The evening’s music is arranged around the theme of “blue”, and spans from nautical evocations

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Concert review, Contemporary Classical, Los Angeles

Synchromy Concert in Los Angeles

The Blue Whale in the Little Tokyo district of downtown Los Angeles was the venue for a concert entitled “The Other Side of Valentines Day” by the group Synchromy – appropriately on Sunday, February 15, 2014. A nice crowd turned out to hear an evening of original new music performed by soprano Justine Aronson, Matt Barbier on trombone and pianist Richard Valitutto. In all, some ten pieces were heard, most of them by Los Angeles-based composers. The concert programs were handed out in envelopes in the manner of a Valentines card – a clever touch that added to the convivial

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