For those of you who were insufficiently cheered by Florida’s decisive surge over the Ohio State football factory, here’s something that should help. Our friends at Naxos will release on January 31 a DVD of fellow Mountaineer Pare Lorentz’s landmark New Deal-era documentaries “The Plow that Broke the Plains” (1936) and “The River” (1938), featuring the first complete modern recordings of the seminal Virgil Thomson soundtracks by Washington, D.C.-based Post-Classical Ensemble under Angel Gil-Ordóñez, with narration by Floyd King. “The Plow that Broke the Plains,” which examines the causes of the Dust Bowl drought and was made for $20,000, was the
Read moreWell, I see Chamber Music America is having its annual conference in the Center of the Universe this week, beginning on Thursday. I wasn’t invited this year. Last year, Alex Shapiro and Drew McManus and I did a dynamite panel on blogging to an SRO room. Alex and Drew were wonderful and, frankly, I thought I was pretty damned clever but three or four people complained on their evaluation sheets that I had said rude things about our esteemed President. Or, maybe, it was the part where I took a picture of the room and said I had been asked
Read moreBack in July, nine students associated with AAIR, the independent radio station of London’s Architectural Association School of Architecture, spent several days recording natural and man-made sounds to create an extensive sonic map of Capri, the island, not the car or the pants. The result is Radiocapri. Now they’re inviting all of us to “remix” the sounds of the island in their cleverly named “International Remix Competition A.” Here’s the best part: the winning entry will be picked by Brian Eno, Arto Lindsay and Ryuichi Sakamoto. The winner will get fame, fortune and more attractive lovers, plus a spot on an
Read moreMark Swed wrangled himself a trip to Budapest and came back with a brilliant piece on the world that shaped György Kurtág.
Read moreFrom the CBC: Toronto composer James Rolfe has won the $7,500 Jules Léger Prize for New Chamber Music for his contemporary work raW, the Canada Council for the Arts announced Thursday. raW, written during the buildup to the American invasion of Iraq in 2003, won the award designed to encourage the creation of new Canadian chamber music. It was chosen from a field of 115 new compositions. The work “was written by filtering J. S. Bach’s Second Brandenburg Concerto through Bob Marley’s War (first movement), Burning Spear’s The Invasion (second movement), and John Philip Sousa’s Stars and Stripes Forever (third movement),” Rolfe
Read moreOur regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online: Hanne Darboven (b. 1941 — DE) What better way to mark a new year than with something that is only and utterly about time, history and the march of events (or their stubborn recurrence)! Only one piece to listen to, but it’s a full hour-plus. Darboven’s Opus17a for solo double bass was composed in 1996 for her massive artwork “Kulturgeschichte
Read moreFor articles on every one of the contemporary composers pictured above, and more, click on Overgrown Path’s People of the Year for 2006.
Read moreOur friend Marvin Rosen will be airing the entire 6 hour seven minute version of Morton Feldman’s String Quartet No. 2, by the Flux Quartet, beginning at 11 am, EST on Friday, December 29, as part of a special 9 hour Classical Discoveries program devoted to American contemporary music. Two members of Flux–Tom Chiu and Dave Eggar–will join Marvin to discuss the work after the performance. I believe it is safe to say that Marvin is the only broadcaster in America who both can and would undertake such a mission. Classical Discoveries is broadcast via WPRB 103.3 FM in Princeton, NJ. and over
Read moreThe Russian composer Galina Ustvoskaya died yesterday. Alex Ross has the details and the (appropriately) terse, German notice from her publisher, Sikorski. I don’t have time now to write much about Ustvolskaya’s music, but my encounter with it was one of the determining events of my own musical evolution, and I still can’t quite believe that I performed all six of her piano sonatas spaced out during an all-night new music marathon concert as an undergraduate. (By the time I got to the last of them, round about 4 AM, I was pretty spaced out myself.) If you don’t have
Read moreTom Jackson over at Modernclassical writes: Donald Rosenberg, the classical music critic and correspondent for the Cleveland Plain Dealer, gets the cover of the arts section Sunday with a primer on classical music, an article about the “beloved staples” which form the foundation of classical music. The headline graphic lists the usual suspects — Tchaikovsky, Beethoven, Mozart, Bach. The big shock is when you turn the page and see a huge graphic accompanying the article listing Rosenberg’s picks for a representative sampling of the repertoire. Rosenberg lists just three works from the Baroque period and only four from the Classical
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