Philippe Kocher (b. 1973 — Switzerland) Philippe Kocher studied piano, electroacoustic music and musicology in Zurich and more recently music theory and composition with Detlev Müller-Siemens at the Musikakademie Basel, where he graduated in June 2004. He spent the academic year 2004-05 in London at the Royal Academy of Music, where he was at the same time a student and a teaching assistant for electroacoustic composition and real-time digital audio programming (Max/MSP). His work encompasses pieces for instruments and voice with or without electronics, and his interest lies both in electronic and instrumental music. As means for sound and score
Read moreFive minutes before Elisabeth Lutyens appeared live on BBC Radio 4’s ‘Start the Week’ in 1979 she threatened to denounce Russell Harty as a ‘homosexual interviewer’ if he mentioned the phrase ‘lady composer’; thankfully Harty avoided using the words when the programme was on air. Lutyens was a larger than life personality who pioneered serial techniques in her unfairly neglected music. She was also well connected as my photo shows. For the full story, and a recommendation of a new CD of her music, click on Walking with Stravinsky.
Read moreWe’re a little late in reporting this, but last month composer George Tsontakis was awarded the Charles Ives Living by the American Academy of Arts and Letters. I had never heard of this prize before, but it’s a sweet deal. Tsontakis receives $75,000. each year for three years provided that he forgo all normal paid work. He may, however, accept commissions. The Charles Ives Living was established by Ives’s widow with royalties from her late husband’s music. This round the selection committee was chaired by none other than William Bolcom. The previous three winners were Stephen Hartke, Chen Yi, and Martin Bresnick.
Read moreOur regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online: Hidayat Inayat-Khan (b.1917 — India / Europe) Taken mostly from the 1981 Cambridge International Biographical Centre entry, I just have to give you a good taste of this very interesting bio: Hidayat Inayat-Khan’s great-grandfather, Mula Bux, founded the first Academy of Music in India in the 19th century, and also invented the music notation system carrying his name. Born in
Read moreFor those of you who were insufficiently cheered by Florida’s decisive surge over the Ohio State football factory, here’s something that should help. Our friends at Naxos will release on January 31 a DVD of fellow Mountaineer Pare Lorentz’s landmark New Deal-era documentaries “The Plow that Broke the Plains” (1936) and “The River” (1938), featuring the first complete modern recordings of the seminal Virgil Thomson soundtracks by Washington, D.C.-based Post-Classical Ensemble under Angel Gil-Ordóñez, with narration by Floyd King. “The Plow that Broke the Plains,” which examines the causes of the Dust Bowl drought and was made for $20,000, was the
Read moreWell, I see Chamber Music America is having its annual conference in the Center of the Universe this week, beginning on Thursday. I wasn’t invited this year. Last year, Alex Shapiro and Drew McManus and I did a dynamite panel on blogging to an SRO room. Alex and Drew were wonderful and, frankly, I thought I was pretty damned clever but three or four people complained on their evaluation sheets that I had said rude things about our esteemed President. Or, maybe, it was the part where I took a picture of the room and said I had been asked
Read moreBack in July, nine students associated with AAIR, the independent radio station of London’s Architectural Association School of Architecture, spent several days recording natural and man-made sounds to create an extensive sonic map of Capri, the island, not the car or the pants. The result is Radiocapri. Now they’re inviting all of us to “remix” the sounds of the island in their cleverly named “International Remix Competition A.” Here’s the best part: the winning entry will be picked by Brian Eno, Arto Lindsay and Ryuichi Sakamoto. The winner will get fame, fortune and more attractive lovers, plus a spot on an
Read moreMark Swed wrangled himself a trip to Budapest and came back with a brilliant piece on the world that shaped György Kurtág.
Read moreFrom the CBC: Toronto composer James Rolfe has won the $7,500 Jules Léger Prize for New Chamber Music for his contemporary work raW, the Canada Council for the Arts announced Thursday. raW, written during the buildup to the American invasion of Iraq in 2003, won the award designed to encourage the creation of new Canadian chamber music. It was chosen from a field of 115 new compositions. The work “was written by filtering J. S. Bach’s Second Brandenburg Concerto through Bob Marley’s War (first movement), Burning Spear’s The Invasion (second movement), and John Philip Sousa’s Stars and Stripes Forever (third movement),” Rolfe
Read moreOur regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online: Hanne Darboven (b. 1941 — DE) What better way to mark a new year than with something that is only and utterly about time, history and the march of events (or their stubborn recurrence)! Only one piece to listen to, but it’s a full hour-plus. Darboven’s Opus17a for solo double bass was composed in 1996 for her massive artwork “Kulturgeschichte
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