Contemporary Classical

Contemporary Classical

Guerillaz

I’ve just finished a new piece called Elevator Music, which is intended to be performed by two people in an elevator or a similar enclosed, public space.  It consists of a set of 5 rhythmic cells which are played by slapping or knocking on the walls of the elevator.  The idea here is in the tradition of a sort of guerilla performance practice where music is brought into unexpected places, unannounced. The premiere is up for grabs–let me know if you perform it somewhere.  Obviously, I can’t be held responsible for arrests or other legal action, and the point isn’t

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Classical Music, Composers, Contemporary Classical

Sex, Existentialism and the Modern Spectralist

Bernard Holland has a funny piece in today’s Times about setting out to listen to Marc-André Dalvavie’s new CD and getting mugged instead by an roving gang of French musical poseurs.  A couple of choice bon mots:  So breathless were the revelations contained in this essay, called “Space, Line, Color,” it seemed for a moment the music could wait. Expounding on hearing, space and your stereo system, it reads: “while right/left movement can be recreated, front/back movement is replaced by a sensation of sound advancing or receding.” So it’s true that sound is softer when it is farther away than when it is in front of

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Click Picks, Composers, Contemporary Classical, Electro-Acoustic, Improv

Steve’s click picks #32

Our regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online: Let’s go a little further east, via a couple netlabels (online labels that offer freely downloadable, full-length MP3 “CD”s, usually with accompanying notes and cover artwork)  Nexsound (Ukraine)  They’ll tell you: Nexsound has been dedicated to the unusual and experimental music, both acoustic and electronic, that could be of any style and trend released on CDs and MP3 files. The term

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Contemporary Classical

Sam Solomon in Lenox

On July 3, the very excellent percussionist, Sam Solomon, presented a Boston University Tangelwood Institute (BUTI) faculty recital at Trinity Church in Lenox (Ma). His program included pieces by Nico Muhly, Eric Hewitt, Michael Early, David T. Little, Marcos Balter, and Judd Greenstein, two of them–Hewitt and Early–first performances. Due to the circumstances, the place was packed with attentive and enthusiatic teenagers, although that doesn’t mean that such a demographic wouldn’t necessarily show up to such a performance somewhere else, given how exciting and entertaining this one was. Every one of the pieces was thoughtfully made and impressively and interestingly

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Classical Music, Contemporary Classical, Festivals, Violin

Social Media and the Contemporary Composer

For your dining and dancing pleasure–through the miracle of YouTube–Club Sequenza21 is delighted to present the talented violinist/composer Piotr Szewczyk performing short solo violin pieces by regulars Lawrence Dillon and Jeff Harrington, live and in color, as part of his Violin Futura program at Spoleto.  Roll ’em, Pete. [youtube]xJGdeOUNokM [/youtube] [youtube]z5yBrIFZIcs [/youtube] 

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Contemporary Classical, New York, Opera

Beverly Sills, 1929-2007

Beverly Sills, the All-American diva from Brooklyn, has died of cancer.  Bubbles, as she was known to all, was a big lady with a big heart whose down-to-earth personality, talent and lifelong dedication to Lincoln Center made her a treasure for the city’s arts establishment.  I never heard her sing live in her prime but there are those who swear her Lucia and Rosina were among the best.  She was a hometown heroine who will be missed.  UPDATE Steve Smith, Tim Page, Anthony Tommasini    

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Contemporary Classical

NEA Funding Update

Last Thursday, the NEA funding increases survived three hostile amendments in the House and ultimately made it through to approval unscathed.  The most hostile of the amendments, offered by Doub Lamborn (R-CO), would have eliminated funding for the NEA, and was defeated 97-335.  Of those 97 yes votes, 3 were Democrats: Gene Taylor of Mississippi, Ike Skelton of Missouri, and Jim Matheson of Utah.  The Republicans were split roughly 50/50, with 94 ayes and 104 nays.  The closest vote was for the Bishop amendment to move $31.6 Million from the NEA to the Bureau of Land Management, the Fish and Wildlife Service, National

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Contemporary Classical

Requiescat in Pace

One of my dearest friends and a neighbor of many years died this afternoon.  He was a lifelong bachelor who had lost most of the hearing in both ears when an anti-tank gun fired while he was crawling under it in France during World War II when he was 19.  He went on to become a respected man of science, a cancer researcher, and a well-known skeptic of alternative medicine.  He had no tolerance for miracle cures and especially hated those who sold hope to the hopeless with their promises of blood transfers and shark skin enemas and other exotic cures.  He was not warm and cuddly and he didn’t have a lot of

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Classical Music, Contemporary Classical, Opera

Cue the Tenor

So, the wonderful Serbian film director Emir Kusterica’s new opera Time of the Gypsies (based on his zany film of the same name) opened last night in Paris.  Woody Allen is directing Puccini and David Cronenberg is prepping The Fly for L.A.  Anthony Minghella, Michael Haneke, Zhang Yimou. What is happening here? Have we run out of opera directors? Have film directors done operas in the past? Are opera companies just hoping that a high profile director can pack the seats?

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