Contemporary Classical

Contemporary Classical

Would You Believe…

A long, long time ago, boys and girls, there was a very funny TV series called Get Smart, starring a Borscht Belt comic named Don Adams as a brain-addled superspy named Maxwell Smart and a cute-as-a-button gamine named Barbara Feldon as his trusty sidekick, Agent 99. This was before most of you were born. Adams left the building for the big Grossinger’s in the Sky a long time ago but Barbara Feldon, Agent 99, is alive and well and appearing this Wednesday night at 8 pm with the early music ensemble Parthenia, a Consort of Viols, in Hot Off the

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Contemporary Classical

Xenakis talks

It’s now just a smidge over seven years since Iannis Xenakis died. And almost exactly 13 years ago, Xenakis sat down for this amicable interview in English: [youtube]mfwam-jqMn4[/youtube] This is the first ten minutes; its poster, Edward Lawes, promises a second part in the near future. (And if anyone recognises who Xenakis is talking with in the video, fill me in.)

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Contemporary Classical

Attention Must be Paid

I get a lot of review CDs.  Most of them I listen to once, or not at all, and pass them along to the four or five people who have proven to be reliable reviewers.  It is rare that a recording makes me stop everything and listen.  Jenny Lin’s new recording of two major piano works by Ernest Bloch with the SWR Rundfunkorcheter Kaiserslautern, under Jiri Starek, is one of those rare moments.  I must confess that I didn’t know the Concerto Symphonique but I’m inclined to take the word of David Hurwitz at Classics Today who has pronounced it “one of the 20th century’s great masterpieces

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Contemporary Classical

Three Moments musicaux with Hilary Hahn

I. Early in our conversation yesterday, Hilary Hahn, loquacious and genial throughout, was chatting openly about music and athleticism; about how half her practice time was geared towards staying in shape; how solo recitals were more physically draining than chamber and concerto performances; how different halls, players, even A’s demanded great flexibility; and how flexibility and one’s ear were integral to the athleticism she strove to maintain. I commented on how some pieces were meant just to be big flashy fluffs, and that this was fine; have fun, play fast, show ’em you can hit those notes – not everything’s

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Composers, Concerts, Contemporary Classical, Downtown

Young Yalies United Will Never Be Defeated

New Yawkers could do worse at 8 p.m. on March 1st, than drop by Roulette, plunk down a $10 and slurp-munch free refreshments, all while checking out this great little posse of 80’s-born composers’ music: Timothy Andres will present two recent works: Play it By Ear (2007), for a mixed chamber group of nine players, and Strider (2006), “ambient music” for vibraphone and piano. Both pieces will feature the best young musicians from the Yale School of Music, with the composer on piano. Lainie Fefferman has a new electric guitar quartet called Tounge of Thorns (2007), which she describes as

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Contemporary Classical

Calling All Elis

The Yale at Carnegie concert series will honor distinguished faculty member Ezra Laderman at Weill Recital Hall at 8pm on March 3 with a program that features a career-spanning range of Laderman’s chamber works, from his 1954 Bassoon Concerto to the New York premiere of Interior Landscapes II for two pianos, written in 2007. Laderman (b. 1924) continues the line of distinguished composer-pedagogues at Yale, which has included Paul Hindemith, Krzystof Penderecki, and Jacob Druckman. His ties to the Yale School of Music run deep; after joining the YSM community as a composer-in-residence in 1988, he served as the Dean

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Classical Music, Contemporary Classical

“Music is life, and, like life, inextinguishable.”

Alex Ross has a splendid piece titled Inextinguishable  about Carl Nielsen in the New Yorker (yes, the New Yorker) this week.  I must confess that I had not paid a lot of attention to Nielsen until Alex tagged him as “most underrated” in the comments section here a couple of years.  Since then, a series of wonderful new recordings–including the opera Maskarade and Thomas Dausgaard and the Danish National Symphony Orchestra/DR’s recording of Nielsen’s orchestral works–have been released by the Danish national recording label Dacapo    I have found myself playing them every few days for months now and I always hear something fresh and new.  I owe

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CDs, Chamber Music, Composers, Contemporary Classical, Recordings

Surprise!!

Just when you thought we’ve been musically laying low… There’s a brand-new online-only CD release by fellow S21 regular and composer David Toub, realized by yours truly (Steve Layton, for those of you who don’t read the bottom post tag). It just became available on iTunes (US, also now or very soon in UK/Europe, Australia and Japan) on my little NiwoSound label; expect its appearance on eMusic as well very soon. The CD is in the “electronic” genre at both places, but purely as a matter of expediting the release; if it’s not classical I don’t know what is! David’s darfur

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