While online culture increasingly favors a posture of transparent, even mundane personhood, Igor Ballereau and Jody Pou buck this trend with the enigmatic netlabel SHSK’H. The name, the presentation, and the music all project a common esthetic: hushed, cryptic, reverential and sensual. This singularity of vision makes the experience compelling. Both the performances and recording quality are awesomely good. There are currently three releases, presenting works by Ballereau, Kenneth Kirschner, Aaron Siegel, Giuliano D’Angiolini, and Etsuko Chida performing traditional Japanese koto kumiuta. Recordings of Webern by Jody Pou and Emily Manzo are planned for this summer, and something for Garth
Read moreMorelia (in the State of Michoacan, Mexico) will be hosting its Fifth Contemporary Music Festival from June 1-6. Although relatively young, the festival has gathered prestige and generated enthusiasm in the course of a few years, thanks in part to a list of distinguished composers and performers. Just a few names: Helmut Lachenmann, International Contemporary Ensemble, Robert Platz, Nicholas Isherwood, Carlos Sánchez Gutierrez, Cuarteto Latinoamericano, Manuel Rocha, Dynamis Ensemble. This year Morelia will be listening to some world-renowned composers and performers such as Philippe Manoury (France), Jack Body (New Zealand), S21-well-known Wilfrido Terrazas (Mexico), Orlando Jacinto García (Cuba), Eddie Mora (Costa
Read more…That would be the light emanating from New York’s P.S. 122 this Friday and Saturday night, where the International Contemporary Ensemble (ICE), choreographer Yvan Greenberg and stage director Emma Griffin will be partnering with our old (well, young actually) friend Corey Dargel in his latest set of sweetbittersweet songs, Thirteen Near-Death Experiences. Fourty-five minutes ostensibly about hypochondria and, well, death; just like Tristan they’re always at the same time really about love and, well, life. You could and should have been following the birth of the work through Corey’s special blog devoted to just that; we’ll forgive you this time
Read moreNicholas Maw, the British-born composer who was probably best-known for the violin concerto he wrote for Joshua Bell, the lengthy orchestral work Odyssey and the opera, Sophie’s Choice, died yesterday in Washington at the age of 73. Interesting take from Telegraph critic Michael White More to come Tom Myron has a lovely photo and tribute here.
Read moreCongratulations to PAULINE OLIVEROS. Columbia University announced today that she is the recipient of the 2009 William Schuman Award: a $50,000 prize which recognizes “the lifetime achievement of an American composer whose works have been widely performed and generally acknowledged to be of lasting significance.” The previous award-winner was John Zorn in 2006. Columbia will celebrate Oliveros with a concert and reception at 8 PM on March 27, 2010 at Miller Theatre.
Read moreMantra Percussion has a gig this Tusday in Manhattan–at 8pm at St. Peter’s Lutheran Church (619 Lexington Ave @ 54th). It sounds like a promising program, with new piece by Eric Km Clark, Aaron Siegel, and Craig Woodward, and a new arrangement of David Lang’s “Little Eye.” Mantra member Mike McCurdy (how’s that for alliteration?) helpfully put together some audio notes on the program, which you can hear here: David Lang, Little Eye: http://homepage.mac.com/mccurdymike/Sites/mantra/lang.mp3 Eric Km Clark, Deprivation Music #7: http://homepage.mac.com/mccurdymike/Sites/mantra/clark.mp3 Aaron Siegel, Our Reluctance is Overstated: http://homepage.mac.com/mccurdymike/Sites/mantra/siegel.mp3 Enjoy!
Read moreThe brilliant young pianist Xiayin Wang will perform back-to-back world premieres of Sean Hickey’s Cursive and Richard Danielpour’s Enchanted Garden, Preludes Book 11, two new works for piano, in her performance at Alice Tully Hall Monday night, May 18th at 8 PM. Included in the program are works by Haydn, Chopin, Ravel, Scriabin and Liszt. Of Cursive, Hickey says “The piece begins with a seven-note ostinato in the right hand which serves as a fixed idea throughout the entire work. But the nature of this falling pattern is such that it immediately spawns other related figures. The piece concludes with
Read moreAll the talk last week was for Darcy James Argue’ s Secret Society CD and release gig. The show got rave reviews, the CD’s winging its way into the world, and that’s swell. But I want to do it all over again this week, for another New Amsterdam release that I think is every bit a magical in its own way: I first pointed you to the amazing young violist Nadia Sirota here back in 2006. I said she was “fast track” but totally fresh then; the track, if anything, has only gotten faster but the freshness has remained through
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Composers, Concerts, Contemporary Classical, Electro-Acoustic, Orchestral, Orchestras, San Francisco
[Ed. note: Polly Moller is not just busy telling you about concerts like the one below — while she’s out there pushing for the other guy, I want to mention the she herself has what looks like a great gig, with Pamela Z and Jane Rigler, May 17th at the Royce Gallery, 2901 Mariposa Street (between Harrison & Alabama), SF. tickets are $10, and you can see more here. Go, Polly! …OK, on with the show…] Sequenza21 readers are a quirky and unpredictable bunch. But I’m willing to bet that any of them who show up on Wednesday, May 20,
Read moreGiven the rarity of records and performances of the music of Marc Blitzstein (1905-1964) through the 1970s, my first encounters with him were like everyone else: references in the “populist music of the 30s and 40s” section of 20th-century history books, and as arranger of the American version of Kurt Weill’s Threepenny Opera that we all knew from the old (& wonderful) original-cast recording. Works such as his iconic The Cradle will Rock and Airborne Symphony were still talked about, but quite hard to track down and hear. It wasn’t until the mid-80s that revivals and reassesments began, with good
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