SWARMIUS in The Cell
Barriers between various musical genres continue to be gleefully destroyed by insightful musicians and collectives. One such divide that has been crumbling over the last few years has been any…
Barriers between various musical genres continue to be gleefully destroyed by insightful musicians and collectives. One such divide that has been crumbling over the last few years has been any…
So I happened to be in the city over the weekend and didn’t have any interviews or other meetings today, so I figured “Hey, I’ve got a laptop…why not liveblog…
League of Composers/ISCM has their season finale tonight at Miller Theatre. Louis Karchin conducts a program of five recently composed works. True to form, the evening is chock-full of premieres,…
Full disclosure: I co-founded San Diego New Music in 1994, served as its first Executive Director, and have been a board member since 2000. This isn’t a review or a…
This Spring, Baltimore-based composer David Smooke composed Criminal Element, a “nonopera” in a fabricated language, for Rhymes with Opera, a company devoted to presenting opera in nontraditional spaces. Alongside works by…
Andrew Rudin is well known to the Philadelphia new music community, both as a composer and, for many years, as a professor at University of the Arts. One of his…
Tomorrow from 2-8 PM in Philadelphia Episcopal Cathedral, FLUX Quartet plays Morton Feldman’s String Quartet No. 2. The concert is the last event in American Sublime, a two week long series…
The American Composers Orchestra has been holding annual reading sessions for twenty years now: quite a milestone! This weekend will see composers of concert music hearing their works read by…
As we gallop towards the end of the concert season proper (and towards the bevy of summer music festivals), it’s shaping up to be a busy time here in New…
Pianist Marilyn Nonken is performing Triadic Memories on June 4 in Philadelphia as part of “American Sublime,” a festival devoted to the works of Morton Feldman. Marilyn was kind enough…