Kalevi Aho String Quartets 1-3 Stenhammar Quartet BIS Kalevi Aho (1949-) is a prominent Finnish composer whose oeuvre includes a number of orchestral and chamber works and a smaller body of vocal music. His string quartets are from relatively early in his career, the first from quite early, written when he was only eighteen. All three are included on a BIS recording made by the Stenhammar Quartet, a group from Sweden. The pieces are presented out of order, beginning with the second quartet, which was written in 1970, during his studies with Einojuhani Rautavaara at the Sibelius Academy
Read morePersist Ethel and Allison Loggins-Hull Sono Luminus The string quartet Ethel presents a characteristically diverse program of contemporary music on Persist, their first recording for Sono Luminus. They are joined by composer/flutist Allison Loggins-Hull and the resulting quintet are strong advocates for the emerging composers featured here. The title work is by Loggins-Hull, currently a composer fellow with the Cleveland Orchestra. Her work is gracefully written and appealing. Persist begins with an ambling section with an angular flute melody, pizzicato strings and percussion instruments. This is varied throughout, juxtaposed with presto passages featuring quickfire flute lines accompanied by
Read moreCrimson Roses: Contemporary American Choral Music Naxos Music CD Musica Viva Choir and Orchestra, Alejandro Hernandez-Valdez, conductor Erin Sensenig, soprano Frederica von Stade, mezzo-soprano After a lengthy and illustrious career, the mezzo-soprano Frederica von Stade says farewell on Crimson Roses, an album recorded by Musica Viva that includes three contemporary choral pieces. The title work, And Crimson Roses Once Again Be Fair, composed by Joseph Turrin, features both von Stade and soprano Erin Sensenig. It is a forty-five minute long cantata that commemorates the 100th anniversary of the First World War. Turrin set three poets who were part of the
Read moreOn Thursday evening in New York, Momenta Quartet’s October festival – now nine years running – closed with an assorted program, enthusiastically curated by violist/composer Stephanie Griffin. Griffin is the last founding member still actively performing with the group. Noting that this festival has ever featured the opportunity for each member to have curatorial carte blanche on one night only, Griffin nodded to the overall 2024 theme – Charles Ives at 150 – while admitting that “this is not a thematic program, but rather a joyous collection of pieces that I saw fit to celebrate the genius of Charles Ives
Read moreBlack American composers dominated the programming at two of New York City’s major institutions last week — a 180° turn from the typical fare of Dead White Men at most orchestral concerts. On Wednesday, October 16, Carnegie Hall presented Sphinx Virtuosi — the flagship ensemble of the Sphinx Organization, an organization whose mission it is to encourage careers of Black and Latino classical musicians and arts administrators. Thursday at Lincoln Center’s Geffen Hall was New York Philharmonic’s program “Exploring Afromodernism” — a program which was repeated on Friday. Both concerts featured outstanding and committed performances of mainly 21st century classical
Read moreTonight, the Locrian Chamber Players gives the New York premiere of Quintet 2 by Christian B. Carey. Sequenza 21 readers know Carey very well through his insightful reviews of concerts and recordings in this publication. He is also a superb composer with a lengthy catalogue of varied works. Quintet 2 is scored for oboe, clarinet, violin, cello and piano, and Carey wrote it for the East Coast Contemporary Ensemble, who commissioned it and premiered it in 2016. In his program note, Carey writes that much of his music – including this work – is based on the idea of labyrinthine
Read moreLong Play …. Not long enough! This year’s Long Play schedule is particularly dizzying. The annual festival presented by Bang on a Can in Brooklyn, now in its third year, seems to have crammed more events than ever into its three day festival, running May 3, 4 and 5. For instance, on Saturday, May 4 at 2 pm, you’ll have to choose between a new opera by the Pulitzer Prize finalist Alex Weiser with libretto by Ben Kaplan, called The Great Dictionary of the Yiddish Language (at American Opera Projects) AND Ensemble Klang imported from the Netherlands playing works by the
Read moreKinds of ~Nois ~Nois, Kinds of Kings Bright Shiny Things The Bright Shiny Things recording Kinds of ~Nois is the result of a six-year long collaboration between the saxophone quartet ~Nois (Julian Velasco, soprano; Hunter Bockes, alto; Jordan Lulloff, tenor; János Csontos, baritone) and the composer collective Kinds of Kings (Shelley Washington, Maria Kaoutzani, and Gemma Peacocke). The recorded works are generally in a complexly post-minimal style, but each composer has their own distinctive voice. ~Nois’s rich ensemble tone and dexterous rhythms serve the music quite well. One can readily hear that a lot of preparation was put into
Read moreHow does a composer write music? Whether she pulls interesting sounds out of the air, or creates an elaborate scheme of hieroglyphics – can an uninformed listener tell the difference? Sometimes not, as was the case Wednesday night at the 92nd Street Y where the incomparable Takács Quartet gave the New York premiere of Flow by Nokuthula Endo Ngwenyama. Flow was backed up by an elaborate set of program notes that described inspiration ranging from the sound of the Big Bang to the breathing discipline “Pranayama”. Even with that knowledge in hand, for the most part I couldn’t detect the
Read moreHappy 87th birthday Philip Glass! Composers who live into their late octogenarian years would be justified in resting on their laurels. Glass, however has returned to playing his earlier piano music, releasing a new recording, Philip Glass Solo (Orange Mountain) of older pieces such as Mad Rush, Metamorphosis, and Truman Sleeps. Below is the video for Opening.
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