The Manhattan edition of the Sequenza21/Lost Dog Ensemble concert–as seen in the New York Times–is happening tonight at 8 pm at the Good Shepherd Church, 152 West 66tth Street (between Broadway and Amsterdam). Admission is free, as in you don’t have to pay to get in. This is your last chance to see a Sequenza21 concert until we save up enough money to have another one so don’t miss it. Our friends at Other Minds in San Francisco invented the New Music Séance in 2005, and after two sold-out editions, they’re back with a third. The event will feature three
Read moreThis Fall marks the twentieth season of provocative programming in New York City brought to you by Interpretations. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our fourth concert this season, on 20 November, features composer-performers JB Floyd and Raphael Mostel at Roulette. JB Floyd: My concert on the Interpretations Series on November 20th will mark
Read moreHe doesn’t sing or play the cello (as far as I know) but one of my favorite composers in the whole wide world is Erkki-Sven Tüür, another of those masterful Estonians we hear a lot about. I would say that even if I didn’t know that he is a faithful and longtime reader of Sequenza21. But, I digress. The Estonian Philharmonic Choir, with the Tallinn Chamber Orchestra, conducted by Tõnu Kaljuste, will be performing two of Erkki-Sven’s choral pieces next Monday night at The Community Church of New York, 40 East 35th Street. There are also pieces by Tõnu Kõrvits
Read moreSunday Music: CD Samplers in the Era of Pandora Sunday Music Volume 4 Big Helium Records BHRSM004 / www.bighelium.com Unlike the album driven days of yore, today it’s all about the mix. From purchasing single tracks digitally at online stores such as Itunes and Amazon to the internet radio sensation Pandora, which tailors ‘stations’ to a listener’s preferences, music is presented as eminently accessible; instant gratification, inevitable. While all aforementioned methods of mix are exciting in their potential for discovery, surfing the impossibly commercial Itunes or using Pandora’s efficient but sometimes ham-fisted engine is unlikely to provide the enlightening swerves
Read moreThis Fall marks the twentieth season of provocative programming in New York City brought to you by Interpretations. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our first concert this season on 2 October, features the Myra Melford Quartet and Henry Threadgill’s Zooid + Talujon Percussion Ensemble. Michael Lipsey of Talujon has
Read moreHow does it sound – a double concerto written by a musician weaned on Beethoven, salsa, Stravinsky and Bulgarian folk music? In short – like nothing else! The Danish composer Anders Koppel (b. 1947) is himself. “My music consists of the life I have lived,” is as close as he gets to a definition of his style. Anders Koppel grew up with music all day long. His father, Herman D. Koppel, was one of Denmark’s leading composers and pianists, and worked in the living room at home. Anders and his siblings were eye-witnesses to all aspects of the musical creative
Read moreBig Ups to David Lang and Christopher Theofanidis who have just been appointed to the faculty of the Yale School of Music. They will teach graduate students in the school’s composition program as well as teach courses and participate in the performances of their works. Both earned masters and DMA degrees from the Yale School of Music before embarking on their illustrious careers. Lang, professor of composition (adjunct), is the most recent winner of the Pulitzer Prize in music. Theofanidis, associate professor of composition (adjunct), is both a frequently-performed composer and a respected educator. The composition appointments were announced at
Read moreBen Rosen, former Board Member of the Met, has a fascinating post at his blog about the Met’s turnaround under the leadership of Peter Gelb. (Thanks to Alex Ross for pointing it out.) The whole essay is worth reading if you have any interest in the future of the classical music business or in the fortunes of the Met, but I want to highlight one passage in particular, concerning the marketing of Philip Glass’s opera “Satyagraha.” Apparently, prior to Gelb’s arrival the Met had no marketing team–marketing wasn’t seen as necessary with the number of sold-out performances they were playing.
Read more[youtube]ZViZUoJwH-w[/youtube] Not really a religious piece but makes even a good atheist like me tear up. The Protecting Veil is Tavener’s masterpiece but as short pieces go, this one is special. Who has recommendations for other Orthodox Easter listening?
Read moreMarvin Rosen has a very special program coming up this Wednesday on his always brilliant radio program. John Psathas, one of New Zealand’s leading composers, will join Marvin live in the WPRB studio on April 23, 2008, from 8:30 am ET until 11:00 am ET during a special extended edition of Classical Discoveries. The entire five hour program starting at 6:00 am ET is titled: “In The Land Of Kiwi” will be totally devoted to music from New Zealand. The program can be listened to on line at www.wprb.com Quick, without looking it up, name 5 New Zealand composers. Here’s a video of
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