Marvin Does Hovhaness
Marvin Rosen’s Classical Discoveries program is a special one this week involving, as it does, several members of the S21 community. Marvin’s doing the first radio broadcast of OgreOgress’s world…
The Incredible Hipness of Carl Nielsen
For reasons I no longer remember, I had always thought of Carl Nielsen as a stodgy composer whose works were a little severe and chilly–the musical equivalent of one of…
Have You Seen This Man?
No? Well you should, and can, this Friday night, May 4, 8PM at the Robert Miller Gallery, 524 W. 26th Street, New York, NY on the second night of a…
Contemporary Grande Frappucinos
Out my (Seattle) way, local composer and Seattle Weekly columnist Gavin Borchert this week offered up something titled “Small Apologies“. A few excerpts: Not that I have anything against Tony…
Before, Between and After
My pal Christopher DeLaurenti — composer, field-recordist, improviser, and writer on Seattle’s classical and new-music scene in the weekly Stranger newspaper — is happy to announce the release of his…
Jerry’s Top 10 for 2006
Finally, my top 10 for the year. Okay, so I’m a conservative old fart…but these are the recordings I enjoyed most during the year. I gave most of the more…
Marvin’s Friday Feldmanathon
Our friend Marvin Rosen will be airing the entire 6 hour seven minute version of Morton Feldman’s String Quartet No. 2, by the Flux Quartet, beginning at 11 am, EST…
Come on, you know you care, a little bit…
It’s that time of the year again, folks, when composers around the world turn their attention to Los Angeles, with bated breath, waiting to hear who is, in fact, the…
Contemporary art loves contemporary music
The demise of Tower Records mean tough times ahead for the independent record labels, so it’s great to welcome an unlikely new label which was launced this month with real…
Soloist blogs on major new music premiere
Tomorrow (Nov 6) soloist Nicholas Daniel (left) and the Britten Sinfonia give the world premiere of John Tavener’s oboe concert Kaleidoscopes at London’s Queen Elizabeth Hall. The new work is…