Seattle Symphony performs Fauré, Ravel and Attahir
It was a valiant effort, and one that might work better in the studio than onstage, but there’s a reason why the coupling of harp and piano, especially with an…
It was a valiant effort, and one that might work better in the studio than onstage, but there’s a reason why the coupling of harp and piano, especially with an…
It’s been a somber year, with wars, conflicts, and intractable cultural and political divisions weighing on the lives and thoughts of many, including those with an investment in Western art…
Elena Dubinets, the current Artistic Director of London Philharmonic Orchestra, and a longtime and much-admired leader of the Pacific Northwest music community, will be the new Artistic Director of the…
Untuxed, a series of informal, intermission-less Friday-night concerts, returned to Seattle Symphony last night in the hands of its inaugurator, Ludovic Morlot, the Symphony’s former Music Director and current Conductor…
Michael Schell reviews the minimalist-informed avant-rock band Horse Lords at Seattle's Vera Project.
Michael Schell looks back at the impactful, and uneven, career of George Crumb as his last unrecorded work gets its premiere release.
As the pandemic recedes in our rearview mirrors, the flow of new albums of radical music has returned to its pre-COVID level, as has the year-end ritual of Best of……
If you’re up for seeing Maestro, Bradley Cooper’s much-heralded Leonard Bernstein biopic, then try to do it now, in a movie theater, before it gets remanded permanently to Netflix. The…
Michael Schell reconsiders the controversial legacy of composer Hanns Eisler for his 125th anniversary, with an in-depth look at his magnum opus: Deutsche Sinfonie.
On the passing of Harry Belafonte (1927–2023), Michael Schell looks back at his dark 1970 urban drama The Angel Levine, in which he co-stars with Zero Mostel.