Order, Not Chance, Reigns in Philip Glass’ Kepler
Philip Glass always does the unexpected. Or, as he said to me when we were talking on the phone about his subsequently Oscar-nominated score for Errol Morris’ 2003 The Fog…
Philip Glass always does the unexpected. Or, as he said to me when we were talking on the phone about his subsequently Oscar-nominated score for Errol Morris’ 2003 The Fog…
Old age isn’t for sissies or the timid and I think the same thing can be said about writing for the stage, especially if it’s the operatic one. It took…
We like to think that we live in the light, or as the current phrase goes — “it’s all good ” — when in reality everything really seems to happen…
It’s sometimes said that composers are either German or French, and American vanguard one Frederic Rzewski, with his much vaunted admiration for Beethoven, is clearly on the German side. But…
http://www.youtube.com/watch?v=4TEWQZ5tLD0 Some people like to think that music is always somehow about something… usually them. My bad love affair, the world will never understand me, much less remember me. And…
We take so much for granted – the sun will go down , the sun will come up – that we never seem to realize that some day it won’t…
My dear late best friend Danny Cariaga, classical music critic extraordinaire of the Los Angeles Times, once observed that people went to Wagner’s operas when they were new because they…
The world has always been violent, hence the classical desire to restrain the beast within. But is this kind of art enough when the world seems to spin out of…
Things happen when you pay attention. Resemblances line up, and disjunctions jar. These things certainly happened when I caught Word for Word’s theatricalization of James Baldwin’s Harlem-set story Sonny’s Blues,…
Dance is always about music, and music is, more often than not, about dance. But how does dance animate music, and music animate dance? This seemed to be the central…