Author: Christian Carey

Awards, File Under?, Improv, jazz

Threadgill Wins Pulitzer

Congratulations to composer and multi-instrumentalist Henry Threadgill, who has won the 2016 Pulitzer Prize in music. One of the original AACM members, Threadgill’s recent work has been distinguished by an intervallic approach to improvisation, in which each member of the band has a limited catalogue of intervals that they can perform, with the sum total creating intriguing harmonic and contrapuntal materials. In for a Penny, in for a Pound, the prizewinning work, features Zooid, the band with which Threadgill has worked for fourteen years, using just such an approach to making music. In addition to two short movements, Threadgill has

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CDs, Composers, Contemporary Classical, File Under?, Interviews, Orchestral

Composer Carson Cooman (Interview)

Interview with Carson Cooman Sequenza 21: The latest CD of your compositions, Liminal on Divine Art, features three works, a short orchestra piece, Shoreline Rune, Liminal, your Fourth Symphony, and Prism, an older work for organ. How did you decide on this grouping? Carson Cooman: A number of recordings of my music have been released, and the music on them has been grouped and organized in different ways, depending on the repertoire at hand. For this release, I wanted to try a “mini-album” (shorter length than a full CD and priced accordingly). So the symphony was the main affair, and

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File Under?

Ariana Kim Plays ART

In honor of International Women’s Day, violinist Ariana Kim has released a video of her performance of Augusta Read Thomas’s Incantation for solo violin (1995). I’ve long loved Incantation – it is one of Thomas’s most beautiful works: poignant, supple, and exquisitely well-paced. Kim’s current project is Routes of Evanescence, a recording of works by women composers.

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Concerts, Contemporary Classical, File Under?, New York

G.F. Haas in New York

  This week in New York, Austrian Cultural Forum celebrates the music of Georg Friedrich Haas. Haas, currently MacDowell Professor of Music at Columbia, is a thoughtful and innovative composer. The two programs curated by ACFNY, both free (with reservations), are excellent opportunities to hear two different facets of his creativity. On Wednesday February 24th at 7:30 PM at the ACF, JACK Quartet performs String Quartet No. 3 In iij. Noct., a piece that occurs in total darkness. On February 26 at 8 PM at Bohemian National Hall (321 East 73rd Street), the Talea Ensemble presents the following program of large ensemble and

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Boston, Composers, Contemporary Classical, File Under?, Opera

ECCE Ensemble Performs Aylward

On February 12-14 and February 19-20, ECCE Ensemble premieres Switch, a new opera by my friend and colleague composer John Aylward. Directed by Laine Rettmer and conducted by Jean-Phillipe Wurtz, the piece features two vocalists: soprano Amanda DeBoer Bartlett and bass-baritone Mikhail Smigelsk. The project is part of ECCE’s year-long residence at Le Laboratoire, a new multimedia space in Cambridge that combines visual arts, music, the sciences, and even olfactory stimulating exhibits. To whet your appetite, below is a video of Aylward’s Ephemera. WHAT: World premiere of the contemporary opera Switch WHEN:February 12-14+ February 19-20 at 7:00 p.m. WHERE: Le

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Concerts, Contemporary Classical, File Under?

Guest Post: Arnone Plays Babbitt

POSTPONED DUE TO WEATHER!   Thanks to Joshua Banks Mailman for this post about Augustus Arnone’s Babbitt recitals.  Augustus Arnone performs Milton Babbitt’s Time Series and other solo piano works at Spectrum, Sunday January 24, at 2pm This year marks the centenary of the legendary composer Milton Babbitt (1916-2011). To my ears, his extensive body of piano works especially channels his singular charm as a raconteur. Over the decades a number of pianists have championed some of Babbitt’s major  piano works, for instance Robert Helps and Robert Miller performing and recording his Partitions (1957) and Post-Partitions (1966) in early days and much more recently

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