Tom Steenland’s Passion
Props to our amigo Tom Steenland who has been producing great avant-garde recordings on his Starkland label from Boulder for many years now. It isn’t every day that a CD…
Props to our amigo Tom Steenland who has been producing great avant-garde recordings on his Starkland label from Boulder for many years now. It isn’t every day that a CD…
Beth Anderson is hosting Women’s Work 2007, a series of three Wednesday concerts in March at Greenwich House Arts. The dates are March 14, 21 and 28 and the venue is…
Based mainly on my accidental success in building such a lively, tight knit and fun little community here, I am now getting a few paying gigs from people who want…
Columbia University’s School of the Arts has given John Zorn the William Schuman Award, a major recognition given periodically over the past twenty-five years. Named for its first recipient…
Gérard Mortier, who is famous for painting lipstick on corpses and taking them to the ball, will become general manager and artistic director of the New York City Opera after…
The Metropolitan Opera announced that its co-production of Philip Glass’s Satyagraha with the English National Opera will debut next season on April 11, 2008. The ENO is doing nine performances of Satyagraha…
Here’s a programming note to remember. Performance Today will broadcast Tom Myron’s Violin Concerto #2 on Tuesday’s program. The performance–by the Eclipse Chamber Orchestra–was recorded on 5/14/06 in Alexandria Virginia; Elisabeth…
Since it’s opera week here at Sequenza 21 and there’s a lot of chatter in the comments about transplanting operas between cultures and Galen has raised the topic of fugues…
Speaking of great American operas, Tobias Picker has written two of them; Emmeline, which is an unqualified masterpiece, and An American Tragedy, which I think history will regard more dearly…
I don’t know Ricky Ian Gordon personally but he e-mails me frequently with updates on his projects, never neglecting to sign off with “xxxooo” which I find endearing although I’m sure…