Composer, arts administrator, educator, and now, festival curator, Laura Kaminsky is exactly the type of advocate contemporary music needs to ensure its survival. Until recently a dean at the Conservatory…
Hi Jerry, Wanted to share two recent interviews: 1. Paul York, cellist and professor at the University of Louisville, has a new CD (Cello Vision – Centaur 2989) featuring new…
Columbia’s own Southern Exposure New Music Series and xMUSE (University of South Carolina’s Experimental Music Studio, directed by Reginald Bain) combine forces once again to present an evening of genre-bending…
I really enjoyed Q2’s broadcast tonight of New Sounds Live, a concert at Merkin Hall by the Bang on a Can All Stars that featured works by Nik Bartsch, Oscar…
Sure, the recession has caused for cutbacks in the arts. But composers are a resilient bunch. This week, New York City will be the site for the first Composers Now…
There was a fair amount of buzz a couple years ago (including here at s21), when composer Michael Hersch‘s enormous piano canvas The Vanishing Pavilions was released on CD. What…
Courtesy of the John Cage Trust blog.
Alex Ross gives a rundown of upcoming seasons at both the New York and Los Angeles Philharmonic Orchestras. There’s a fair amount of contemporary work on the bills from both…
In case you’ve been getting in the habit of just clicking on the main page, taking a quick stare and then waltzing off hither and yon… Judith Lang Zaimont tells…
This weekend at U of Alabama Huntsville there was to have been a two-day symposium built around my second piano trio, ZONES. (The piece would be performed on Friday evening,…
