Leon Kirchner (1919-2009)
Leon Kirchner died today after a long illness. NewMusicBox has an obit. We’ll add more as we find them. The Boston Globe had a 90th-birthday interview with Kirchner just this…
Meeting in the Open (web) Space
Some years back I stumbled across The Open Space website, a creation of Perspectives of New Music stalwart Benjamin Boretz. PoNM was one of those forbidding obstacles every composition student…
Ted Hearne wins the Gaudeamus
Bit of a streak for American composers: this time last year we were congratulating Huck Hodge for winning the Netherland’s Gaudeamus Composition Prize. Now it’s Ted Hearne‘s turn, for his…
Mandolin Master 2
Labor Day 2009 and while John Clare has an airshift, he also has an interview. Chris Thile is relaxing in New York and making coffee, ready to talk shop. Thile…
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Let’s ask Gino Robair
The San Francisco Electronic Music Festival celebrates its 10th anniversary this week. On the final festival night, Saturday, September 19th, the program will include a special all-electronic performance of the…
NYPO’s New Music Funding gets a big boost
The New York Times Arts Beat has details about a $10 million dollar gift the New York Philharmonic recently received from equity manager Henry Kravis. A gift earmarked for new…
To the stars with mandolin!
It doesn’t seem all that long ago that I heard the world premiere of Blind Leaving the Blind. (Read about it here: S21 Review.) It was quite a night @…
Tracing Jerod ‘Impichchaachaaha’ Tate
Azica Records’ recording of the San Francisco Symphony playing Jerod ‘Impichchaachaaha’ Tate’s Tracing Mississippi, a four movement concerto for flute and orchestra, and Iholba’ for solo flute, orchestra, and chorus,…
My Ears Are Open, Chicago. Part II.
Last week on the podcast: Cliff Colnot (download Cliff’s interview here). This week: Nicholas Photinos, cellist in eighth blackbird (download Nick’s interview here). Turns out that 8bb was just finishing…
Minimalism Conference: Final Report
When I finally struck out for the Kansas City airport on Sunday afternoon, Kyle Gann was about 45 minutes into a very chilled-out performance of his heroic four-and-a-half-hour transcription of…