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Wins Latin Grammy Award
Old Stuff An Interview with Tobias Picker Handmaid Tale's Debuts in English Rautavaara Joins B&G Who's Afraid of Julia Wolfe Derek Bermel's Soul Garden The Pianist: The Extraordinary True Story of Wladyslaw Szpilman John Adams' Atomic Opera A Bridge Not Far Enough Turnage Signs With B&H Sophie's Wrong Choice Copland's Mexico On Being Arvo Rzewski Plays Rzewski Praising Lee Hyla David Lang's Passing Measures |
11 Studies for 11 Players: Piano Concerto Composer: Ned Rorem Performer(s): , Lowenthal, Mester, Louisville Orchestra First Edition Rorem ages well and a recent spate of re-releases of his early chamber and orchestral works demonstrate that he is a good deal more than simply a master of art songs. Like most of Rorem's work, 11 Studies is distinctly more European than American and recall Berio's marvelous Sequenzas. |
Piano Concerto. Concerto for two pianos. Piano Sonata Composer: Arthur Bliss Performers: . Peter Donohoe, Martin Roscoe (pianos), Royal Scottish National Orchestra, David Lloyd-Jones (conductor). Naxos The piano concerto is rip-snorting, full-blooded, heavy breathing romantism of the Rachmaninov variety played with over-the-top virtuosity by the nimble Peter Donohoe. Listening to it makes you want to invade Russia. |
Symphony No.1, 'Jeremiah'. Jubilee Games Composer: Leonard Bernstein Performers: Helen Medlyn (mezzo), Nathan Gunn (baritone), New Zealand Symphony Orchestra, James Judd (conductor). Naxos Young Bernstein, filled with piss and vinegar and more musical ideas per page than any eight of his contemporaries. A joy to listen to a genius in the process of finding his compositional voice. |
Organ and Silence Composer: Tom Johnson Performer: Wesley Roberts, organ A collection of 28 organ pieces to be played separately or as a long recital A music concerned for, as the author writes in the disc notes, "… the importance of silence in music…". This work is conceived not "for organ" but, really, for "organ and silence", as the silence is a fundamental part of it, and it’s not possible to give it up. It’s an attempt, as the author explain " to permit as much silence as possible, without allowing the music to actually stop". Tom Johnson is one of the masters of minimalism, but he combines this with rigorous logic. His work, free from false glitters, defines, better that any other one, the sense of a research the goes beyond the strict genre definitions, and become poetic application of original ideas. |
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