A Late Fourth
Firecrackers sounding like shots of handguns rattle
The afternoon of early July at a late time
For celebrations and it is an inglorious
Fourth we have come to, like the birthday of a very
Sick man: no simple affirmations will do today.
In the dying wind the nation’s stars and stripes slacken;
I guess this must be the flag of its disposition
Not to save itself. Only now, much later, all flags
Down for the night, we watch some bunting–no more a flag
Than the flag is our old glory–as it fitfully
Gleams in the streetlamp’s conditional light, like a truth
Which the sad, difficult telling of half con-ceals, half-
Discloses, through our few tears ungleaming in the dark.
An Old Song
What she and I had between us once, America
And its hope had; and just as I grieve alternately
For what I know myself to have lost of what had been,
And for all that loss I was suffering all that while
I was doing, I thought, so well, so goes the nation,
Grieving for her hope, either lost, or from the very
Start, a lost cause. All our states and I are one in this.
O my America, my long-lost land lady of
The hardening ground, the house neither ancient nor in
Good repair, the brackish stream, the half-abandoned mill,
The red plastic bucket that hung in the place we kept
By the beach where, I remember, August evenings
Rang with hilarity until we trembled with cold.
—John Hollander

Rodney Lister received his early musical training at the Blair School of Music in Nashville, Tennessee. He was a student at the New England Conservatory of Music (Bachelor of Music degree, with honors) from 1969 to 1973 and at Brandeis University (Master of Fine Arts degree) from 1975 to 1977. In between his stay at those two institutions, he lived in England, where he studied privately with Sir Peter Maxwell Davies. He subsequently was a member of Davies's composition seminar at the Dartington Hall Summer School of Music (1975, 1978, 1980-82). He was a Bernstein fellow at the Berkshire Music Center at Tanglewood in 1973. His composition teachers, aside from Davies, have been Malcolm Peyton, Donald Martino, Harold Shapero, Arthur Berger, and Virgil Thomson. He has also studied piano with Enid Katahn, David Hagan, Robert Helps, and Patricia Zander.
Mr. Lister was co-founder and co-director of Music Here & Now, a concert series of new music by Boston area composers at the Boston Museum of Fine Arts (1971-1973), and from 1976 until 1982 was music coordinator of Dinosaur Annex Music Ensemble. He was a founding member of the Music Production Company in 1982 and continues to work with the group as pianist and composer.
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