 The career of pianist Jeffrey Biegel has been marked by bold, creative achievements and highlighted by a series of firsts.
He performed the first live internet recitals in New York and Amsterdam in 1997 and 1998, enabling him to be seen and heard by a global audience. In 1999, he assembled the largest consortium of orchestras (over 25), to celebrate the millennium with a new concerto composed for him by Ellen Taaffe Zwilich. The piece, entitled 'Millennium Fantasy for Piano and Orchestra', was premiered with the Cincinnati Symphony Orchestra. In 1997, he performed the World Premiere of the restored, original 1924 manuscript of George Gershwin's 'Rhapsody in Blue' with the Boston Pops. Charles Strouse composed a new work titled 'Concerto America' for Biegel, celebrating America and honoring the heroes and events of 9-11. Biegel premiered the piece with the Boston Pops in 2002. He transcribed the first edition of Balakirev's 'Islamey Fantasy' for piano and orchestra, which he premiered with the American Symphony Orchestra in 2001, and edited and recorded the first complete set of all '25 Preludes' by Cesar Cui.
Currently, he is assembling the first global consortium for the new 'Concerto no. 3 for Piano and Orchestra' being composed for him by Lowell Liebermann for 2005-06-07. The World Premiere will take place with the Milwaukee Symphony Orchestra, conducted by Andreas Delfs on May 12-14 2006, followed by the European Premiere with the Schleswig Holstein Symphony Orchestra, conducted by Gerard Oskamp, February 6-9, 2007.
Biegel is currently on the piano faculty at the Brooklyn Conservatory of Music at Brooklyn College, at the City University of New York (CUNY) and the Graduate Center of the City University of New York (CUNY).
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Saturday, February 10, 2007
New Schumann edition of Kinderscenen
I hope this will be of interest to piano teachers and students. The new Schirmer Student Piano Library has made my edition of Schumann´s Scenes from Childhood available at the Hal Leonard website www.halleonard.com The new edition is true to the original Schumann text, and provides a foreword, historical overview, performance comments and a cd which I recorded for the edition. I hope it will be enjoyed for many generations to come!
SCHUMANN - SCENES FROM CHILDHOOD (KINDERSCENEN) OPUS 15
Schirmer Performance Editions SeriesSeries: Educational Piano Library Publisher: G. Schirmer, Inc.
Medium: Softcover with CD
Editor: Jeffrey Biegel Composer: Robert Schumann
Perfect literature for the intermediate to early advanced pianist, these miniatures by Schumann have been favorites of many generations of students. The pieces are an excellent introduction to Schumann's piano music and to Romantic musical literature in general. Includes the famous “Träumerei.”
Contents: Of Strange Lands and People (Von fremden Ländern und Menschen) • Curious Story (Kuriose Geschichte) • Blindman's Bluff (Hasche-Mann) • Pleading Child (Bittendes Kind) • Perfect Happiness (Glückes genug) • Great Adventure (Wichtige Begebenheit) • Reverie (Träumerei) • By the Fireside (Am Kamin) • On the Rocking Horse (Ritter vom Steckenpferd) • Almost Too Serious (Fast zu ernst) • Hobgoblin (Fürchtenmachen) • A Child Falling Asleep (Kind in Einschlummern) • The Poet Speaks (Der Dichter spricht)
View Songlist$9.95 (US) Inventory # HL 00296641ISBN: 1423405439UPC: 73999753141Width: 9Length: 1232 pages
posted by Jeffrey Biegel
9:43 AM
Thursday, February 08, 2007
Finding charm in Heide
I received a phone call today that the piano for the third performance of Lowell Liebermann's Third Piano Concerto was not quite on the level they thought I would expect. The middle pedal was not working either--well, I only use that one once in the concerto, so it is ok. They also expect only 60 people to attend--that means more people on stage than in the Stadtheater in Heide, Germany. Did I want to cancel out and the orchestra play something else? I said I was paid already to play all five concerts--but the option was mine.
My choice: bum out and hang out doing nothing, or face the challenge and meet my 'blind date' piano. Not just because I am paid to do so, I think it is exciting to see just what the piano is all about. I said, 'I will go and play--you know me well enough that I can say with all humility--I can try to make any piano sound good! That's what my teacher taught us. That's my job." Not to mention the fact that if I bummed out, that's what they would remember more than the other four performances--and that lessens your chances to get re-engaged! Maestro Gerard Oskamp is one of the kindest and finest conductors I have met--he has brought me to Flensburg to his Schleswig-Holstein Symphony Orchestra three times in less than four years--that's quite hospitable! We've done Saint-Saens 2 and Liszt 1 in the first visit (yes, both in each concert!!!!), then Grieg in the second visit, and then he agreed to bring the orchestra into the Liebermann global project as one of the 18 co-commissioning orchestras. It's the official European premiere. Too bad this is his last season--I only hope the orchestra and new music director will remember me. No--I wasn't about to stay at the hotel and forego the concert.
After getting lost a few times, I spotted the Stadtheater sign and the taxi driver let me out. I went into the hall, a tender and charming hall, and found the Steinway "C". Well, never agree with anyone until you see for yourself. OK--the middle pedal doesn't work and the sound is occasionally thin, but I know exactly what to do. After a short meeting with the piano, I found the soft spots and made it sing. It's a finer piano than I had anticipated. And--I walked around the entire little town in the brisk cold--it is absolutely charming--I loved it. I am now sitting in the Heide Hof restaurant--the young chef had a nice but not overbearing buffet--excellent food! And now I get to play the concert shortly. See what I would have missed if I said 'no?'
posted by Jeffrey Biegel
12:55 PM
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