Friday, March 10, 2006
Rethinking Failure
A week ago I had coffee in Park Slope with composer Amnon Wolman. Amnon teaches a bevy of music technology courses at Brooklyn College and also has an appointment to the CUNY Grad Center. He had observed a class of mine last fall, and we’d been meaning to get together ever since.
Our conversation touched on many interesting issues, but what stuck with me most were Amnon’s thoughts on failure. One thought – which came in the form of advice from him to me – is that it is detrimental for composers to love music too much. Composers must have the capacity to look at the St. Matthew Passion and think, “Anyone could’ve done that.” The St. Matthew Passion, along with most of the other masterpieces we love so much, were produced in large part by hard work, failed attempts, and dumb luck. Sure there’s genius. But by contemplating this genius too much we pressure ourselves to produce “masterpieces” and risk allowing ourselves to fail. And producing failures is part of what it takes to produce masterpieces.
Amnon had another thought that intrigued me: symphony orchestras and opera companies (and so forth) should be unafraid of commissioning failures. Performing institutions do their audiences a disservice by only betting on middle-of-the-road composers and repeatedly work-shopping and evaluating composers’ work along the way. All this “hedging” takes audience evaluation out of the picture: if the Met only produces masterpieces, than this new opera by this composer I’ve never heard of must be a masterpiece, and, if I don’t like it, well, that doesn’t matter to the Met. Instead, commissioning should be like gambling: part of the excitement is knowing you might lose. Wouldn’t it be more exciting to hear some vicious booing and jeering at Avery Fisher for some God-awful pieces than polite, acquiescent applause for okay ones?
I don’t think I entirely agree with either point. But both have enough truth in them to be worth considering. Thoughts?
posted by David Salvage
5:50 PM
Thursday, March 09, 2006
The Composer's Job
What is the composer's job?
posted by Daniel Gilliam
1:29 PM
Sunday, March 05, 2006
Contemporary Music Radio Show
Brave New World is a contemporary classical music program broadcast every Sunday at 7:00pm (Eastern) on 90.5 FM WUOL in Louisville, KY and streaming audio available at www.wuol.org.
I invite all of you to tune in this Sunday, March 12, for my first broadcast as host of Brave New World. This Sunday's program will feature five composers from the Louisville area: Jeremy Beck, Andy McLeroy, Lu Pei, John Spencer, and Erich Stem.
If you would like to send me your work, please mail a broadcast quality recording along with information about the music and a bio to:
Daniel Gilliam
WUOL
619 S. Fourth Street
Louisville, KY 40202
Tune in at www.wuol.org!
The Academy Awards are a joke (Lacey Gilliam: "George Clooney is so in love with himself."), but anyways...
posted by Daniel Gilliam
10:27 PM
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