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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
More proof that Philip Glass is the best-known living American composer
Sierra's Sinfonia No. 2 premieres in Miami
Philadelphia Sounds: Relache's Season Closer
I Know You Wanna Hit That
It's Bash a Gay Person for Jesus Day. Are You Proud?
Concerts under the Oaks at Ojai
What's with those soft, high string cluster openings?
Taking the Long Way
The American Modern Ensemble plays Steven Stucky at Tenri Cultural Center
The Death of the Concert Hall?


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Wednesday, June 07, 2006
An American Original

In one of my past lives, I worked with some of the world's best and most famous photographers. They all had several traits in common; one was a deep and incurable insecurity, perhaps a natural reaction to a trade that in the not-so-long-ago days of film required you to wait until the picture opportunity was long gone to see if you'd captured it or not. Another was a kind of childlike ability to see each day and each new shoot with a fresh set of eyes although, in fact, professional photographers basically do the same kind of setups over and over again. The final character trait was a talent for seduction--the ability to charm the pants off anybody, male or female, who found themselves in front of their lenses.

Arnold Newman, who took the iconic photograph of Igor Stravinsky above, had all of these traits, in spades. I worked with him several times and once you got past the insecurity (Within two minutes of meeting you he would drop at least 20 names of famous people he had photographed) he was a delight to work with. Even as an older man, he had the freshest set of eyes in portraiture. Every picture was unique. And he could reduce the hardest-boiled CEO to an Arnold-groupie in a half-hour session. Like the man in the photograph, Newman was an original.
posted by Jerry Bowles 6/07/2006



 
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