Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


Writing for Amateur Ensembles
Jerry Bowles

positive and negative music?
David Toub

Photography as Music
Jerry Bowles

A text as a world or a text as a text.
Ezequiel Viñao

The Wall Street Journal Explains It All
Jerry Bowles

More Famous Than Me
Corey Dargel

A discipline that leads nowhere is a dead discipli...
Ezequiel Viñao

Robert Pinsky on Gnarliness and Relevance
Evan Johnson

Zorn's Space
Jerry Bowles

The Decline and Fall of the Classical Empire
Galen H. Brown


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Monday, May 08, 2006
Start Spreading the News

I am delighted to announce my impending relocation to what Jerry has occasionally referred to as "the center of the Universe": New York City. As you may recall, I've been living in NH and working in the Development Office of the Dartmouth-Hitchcock Medical Center for the past two years. Well, I've managed to land a new job on the database management team in the Development office at the NY Phil, and I'm coming to the big city. (That's the New York Philharmonic, as opposed to "New York" Phil, the guy with the organs and the arpeggios and the same thing over and over.) I'm moving into a small room on the Upper West Side on Monday or Tuesday of next week, where I'll be living for the summer, and my first day on the new job is Wednesday, May 17th.

I don't know to what extent I'll be blogging about the Philharmonic -- I'm not really sure yet what I'm comfortable with, and I haven't talked to the relevant people there yet either. On the one hand, last year I was one of the few voices speaking out in defense of Lorin Maazel's decision to personally bail out the financing of his opera "1984" and I wouldn't want to have to sit on my hands (there's an awkward mixed metaphor for ya) if a similar situation should arise with the Philharmonic or its staff just because I'm on the payroll -- on the other hand I don't want to undermine my credibility with appearances of conflict of interest or cause problems for my employers if I feel the need to go off the reservation. Any words of wisdom from this community would be welcome.

In the meantime, I look forward to seeing some of you New York based Sequenzoids once I get settled!

 



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