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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
Free Tickets
Cotton picking music
My Oh My, What a Wonderful Day
Goodbye, Kids
New Choral Work Wows European Audiences
Werewolves of London
Blogging 911
Another Life
Outsourcing, Child Abuse and Love and Attention
An 0rgy of Great Modern Music


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Friday, May 19, 2006
Karl Rove Meets the Aphex Twin

If you like your news with an overlay of chillout electronica, get on over to Reuters Newsbeats. Here's the blurb: "Reuters Newsbeats blend music and news in a new media form. Powered by Newziq from Cellular Records we aim to bring daily mixes of Reuters news direct to your web browser or podcasts to your MP3 player." Useful? We report, you decide.

More news on the digital front. Have you checked out Urge, the new music service unveiled a couple of days ago by MTV and Microsoft? Don't think it works with Macs or iPods. Why can't we all just get along?

David Toub has three neat new reviews on the CD Reviews page--Ives Plays Ives, a John Cage number piece and some pioneers of electronic music.

Now Playing:
Flute Concerto; Violin Concerto; Pilgrims
Ned Rorem
Naxos

I've always thought of Ned Rorem as something of a lightweight, a composer of tres amusant art songs and a pre-Wonkette tattletale diarist--more Reynalodo Hahn than Saint-Saens. Since his 80th birthday (nearly three years ago), a string of new recordings and performances has forced me to reconsider. Jose Serebrier, who cracked the door on Rorem's strengths as a symphonist a couple of years ago with his splendid Naxos recording of the three symphonies, has now flung the door wide open with this brilliant dazzler of a disc that showcases Rorem at three different stages of his career. Pilgrims, a short, somber piece for string orchestra, was written in 1958, not long after Rorem returned from Paris. The Violin Concerto, played eloquently and persuasively here by Philippe Quint, dates from 1984.

The real treasure of the disc--the Flute Concerto--was premiered by Jeffrey Khaner, principal flutist of the Philadelphia Orchestra in 2002. Khaner obviously loves the piece and plays it here with both supreme virtuosity and obvious tenderness. Because it is organized in six movements with the subtitles "The Stone Tower," "Leaving-Traveling-Hoping," "Sirens," Hymn," "False Waltz," and "Resume and Prayer," it is probably not entirely inaccurate to describe it as a series of songs without words. This is not to diminish its cohesiveness and cumulative power, or to reinforce the old Rorem cliche, however. This is a flute concerto for the ages.
posted by Jerry Bowles 5/19/2006



 
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