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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

John Corigliano meets The Apprentice
A Candy-Colored Clown They Call the Sandman
The rite of Spring Reverb
Dispatch from the Lyric
Calling All Tubbies
In My Room
Boulez, Lutoslawski, Dutilleux and who?
Hey, Children, What's That Sound?
altaVoz at Juilliard
Last of the mavericks?


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Friday, May 26, 2006
Interactive Composition

David Cope's got a linkdump on his site which features "many opportunities for interactive composition on the Web". I tested out the theory, and the pickings are slim. Seven out of the sixteen provided links are dead (Dotcom; The HUB; Livejam; Resrocket; Sintesidelsuono; Quarry; Bits).

Here's the skinny on the rest:
FTime: Ftime 'seeks to make concrete use of Internet technology to provide a framework for musical collaboration across multiple sites on planet Earth'. Okay, but the last performance was in 2000, and the graphic score format is pretty delimiting.

Mouse Jam: A garden-variety mixing page where all you can do is control the volume and duration of preset musical elements, most of which are pretty mundane.

Muffled: This is an artist site for Double Muffled Dolphin, which features what he calls an Ambient Automat interface that is free to download and looks like fun to play with but also pretty outdated.

Sinth_mods: Okay, now we're getting somewhere. Granted, this isn't really interactive composition at all, but at least it works.

US Drumbox: A Java drum machine

QuantumPortal: Where you hope that every leap, will be the leap back home, and also, you can generate as much MIDI-cheese as you want. Still, this is the most well-developed site on the list so far.

Mushroom: A very cute aleatoric collage generator that uses Nixon samples.

Sounds of Shapes: Another synthesis engine, this time it's Java-based.

SSEYO: A software company that develops, among other things, generative music applications.
So, first, I'd encourage professor Cope to update his site, and I'd also ask S21 readers: Are there any real and active opportunities on the internet for interactive composition?

 



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