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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

The rite of Spring Reverb
Dispatch from the Lyric
Calling All Tubbies
In My Room
Boulez, Lutoslawski, Dutilleux and who?
Hey, Children, What's That Sound?
altaVoz at Juilliard
Last of the mavericks?
Less Gnarly Than You
The New Hell's Kitchen


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Friday, May 26, 2006
A Candy-Colored Clown They Call the Sandman

Sir Harrison Birtwistle was not amused at being forced to sit through an hour of the usual American Idol-level pop drivel yesterday before receiving an award for his contribution to contemporary British classical music at the Ivor Novello Awards. Sir Harrison's acceptance speech was short and not at all sweet, according to the Times:
"Why is your music so effing loud?” he asked the predominantly pop-orientated audience. “You must all be brain-dead. Maybe you are. I didn’t know so many clichés existed until the last half-hour. Have fun. Goodbye.” It was one of his shorter works.

The composer, the doyen of British modernism, explained that he was not opposed to pop music as such. “I’ve just discovered Roy Orbison — he’s a real singer,” he said.
Somebody write something effing provocative for the Composers Forum.

 



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