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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

A Funny Thing Happened...
Philadelphia Sounds: In Seach of A Better World
Why Do Fools Fall in Love?
PHIL Fest Central
Last Night in L.A. - Minimalism for Keyboards
Last Night in L.A. - Branca's 100 Guitars
Last Night in L.A. - What a Trip!
The Horror. The Horror.
Last Night in L.A. - Minimalism's Influence
I Got the Hungries for Your Love and I'm Waiting in Your Welfare Line


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Monday, April 03, 2006
Playing Tag

Drew McManus, whose Adaptistration is far and away the best music management site on the web, was kind enough to invite me to write something for his annual "Take a Friend to Orchestra" initiative. He posted my little contribution today. Hop over and check it out...Ever heard Moonlight Sonata in Kirnberger III tuning? Elodie Lauten did, and lived to tell the tale...Question for those of you with pages on myspace.com-- what "tags" are you using?

Now Playing:
Sebastian Currier
Quartetset; Quiet Time
Cassatt Quartet
New World Records

New World Records is on a chamber music hot streak. First, Ben Johnston's brilliant String Quartets 2, 3, 4 and 9 in January; this gem from Sebastian Currier in February, some revelatory music for strings by Robert Carl in March. Currier's 1995 Quartetset, written for the Cassett Quartet, is a long (45 minute) seven movement piece that pits tonality versus atonality, dissonance versus consonance, with results that are not only wildy imaginative but surprising listenable. The composer describes it as "a post-modern interpretation of the string quartet." The same might be said of Quiet Time, another seven movement suite, in which the dialectic is natural versus artifical sound.

 



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