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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
Your Amazing Internet
Evan Johnson On the Record: Applebaum, After Ferneyhough
I Didn't Know What Time It Was
Tech & Techno at Zankel Hall
You Don't Need a Weatherman to Know Which Way the Wind Blows
Sofia Does Philadelphia
Name That Composer
All the Young Dudes
Gutbucket: Messiaen-ic Punk
A New Dynamic From Indiana


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Tuesday, March 21, 2006
There's Something Happening Here

If you can't make it to the CapitalM gig at The Cutting Room tonight because you woke up this morning and inexplicably found yourself in Fairbanks, Alaska, despair not. Fairbanks has its own happening event this evening--the opening of John Luther Adams' The Place Where You Go to Listen, a permanent sound and light environment created for the Museum of the North at the University of Alaska Fairbanks.

John describes it as "an ever-changing musical ecosystem, a place for hearing the unheard vibrations of the world around us. Controlled by real-time streams of geophysical data, The Place Where You Go to Listen gives voice to the rhythms of daylight and darkness, the phases of the moon, the seismic vibrations of the earth and the activity of the aurora borealis."

Hmmm...music based on geophysical data, music based on stock market movements and, wait, there's more. This morning I got an e-mail from English composer Richard Garrett about his Weathersongs project; music created from the ever-changing patterns of the weather as recorded by an electronic weather station near his home in Wales. Richard says his installation composes music in real-time or it can produce musical interpretations of both real-time data and data collected over days or even months.

Somebody explain what's going on here.
posted by Jerry Bowles 3/21/2006



 
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