Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.

Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron
Alan Theisen
Corey Dargel

Latest Posts

The Composer Next Door: April 15th - Bielawa, Moon...
Rob Deemer

James MacMillan Interview
Cary Boyce

Kyiv-Lavra Perchersk Monastery
Cary Boyce

Female Composer Commissions in the Chronicle of Hi...
Rob Deemer

A More Perfect Union
Galen H. Brown

'In C' Follow-Up
jodru

Text and Con-Text
Cary Boyce

Will choral music always be tonal?
Roger Bourland

Two Questions
jodru

New Music Clarification
Cary Boyce

Beepsnort Lisa Hirsch

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Archives
01/02/2005 - 01/09/2005 01/09/2005 - 01/16/2005 01/16/2005 - 01/23/2005 01/23/2005 - 01/30/2005 01/30/2005 - 02/06/2005 02/06/2005 - 02/13/2005 02/13/2005 - 02/20/2005 02/20/2005 - 02/27/2005 02/27/2005 - 03/06/2005 03/06/2005 - 03/13/2005 03/13/2005 - 03/20/2005 03/20/2005 - 03/27/2005 03/27/2005 - 04/03/2005 04/03/2005 - 04/10/2005 04/10/2005 - 04/17/2005 04/17/2005 - 04/24/2005 04/24/2005 - 05/01/2005 05/01/2005 - 05/08/2005 05/08/2005 - 05/15/2005 05/15/2005 - 05/22/2005 05/22/2005 - 05/29/2005 05/29/2005 - 06/05/2005 06/05/2005 - 06/12/2005 06/12/2005 - 06/19/2005 06/19/2005 - 06/26/2005 06/26/2005 - 07/03/2005 07/03/2005 - 07/10/2005 07/10/2005 - 07/17/2005 07/17/2005 - 07/24/2005 07/24/2005 - 07/31/2005 07/31/2005 - 08/07/2005 08/07/2005 - 08/14/2005 08/14/2005 - 08/21/2005 08/21/2005 - 08/28/2005 08/28/2005 - 09/04/2005 09/04/2005 - 09/11/2005 09/11/2005 - 09/18/2005 09/18/2005 - 09/25/2005 09/25/2005 - 10/02/2005 10/02/2005 - 10/09/2005 10/09/2005 - 10/16/2005 10/16/2005 - 10/23/2005 10/23/2005 - 10/30/2005 10/30/2005 - 11/06/2005 11/06/2005 - 11/13/2005 11/13/2005 - 11/20/2005 11/20/2005 - 11/27/2005 11/27/2005 - 12/04/2005 12/04/2005 - 12/11/2005 12/11/2005 - 12/18/2005 12/18/2005 - 12/25/2005 12/25/2005 - 01/01/2006 01/01/2006 - 01/08/2006 01/08/2006 - 01/15/2006 01/15/2006 - 01/22/2006 01/22/2006 - 01/29/2006 01/29/2006 - 02/05/2006 02/05/2006 - 02/12/2006 02/19/2006 - 02/26/2006 02/26/2006 - 03/05/2006 03/05/2006 - 03/12/2006 03/12/2006 - 03/19/2006 03/19/2006 - 03/26/2006 03/26/2006 - 04/02/2006 04/02/2006 - 04/09/2006 04/09/2006 - 04/16/2006 04/16/2006 - 04/23/2006 04/23/2006 - 04/30/2006 04/30/2006 - 05/07/2006 05/07/2006 - 05/14/2006 05/14/2006 - 05/21/2006 05/21/2006 - 05/28/2006 05/28/2006 - 06/04/2006 06/04/2006 - 06/11/2006 06/11/2006 - 06/18/2006 06/18/2006 - 06/25/2006 06/25/2006 - 07/02/2006 07/02/2006 - 07/09/2006 07/09/2006 - 07/16/2006 07/16/2006 - 07/23/2006 07/23/2006 - 07/30/2006 08/06/2006 - 08/13/2006 08/13/2006 - 08/20/2006 08/20/2006 - 08/27/2006 08/27/2006 - 09/03/2006 10/29/2006 - 11/05/2006 12/31/2006 - 01/07/2007 04/08/2007 - 04/15/2007

Powered by Blogger
Wednesday, November 23, 2005
Do you do organic?

For all you postmodernes out there who think organicism in music is dead, the Bournemouth Sinfonetta Choir cares to disagree. They're lookiing for a composer to create a "work [that] will celebrate the landscape nurtured by organic farming." Click here and scroll down a bit. And thanks to Debbie in Dublin for the heads-up. (Wish I had a link for ya, Debbo.)
posted by David Salvage 10:27 PM

Tuesday, November 22, 2005
harmonic rhythm

A comment on the cover about Bernard Rands reminded me of something he said to me a few years ago. I’m paraphrasing, but he spoke of the period of high modernism – 1950s to 1970s – as a time when many composers lost sight of the power of harmonic rhythm – the rate at which harmonies change in a piece. He felt that no matter what harmonic system was being used -- key-centered or freely chromatic, triadic or clustered – a good sense of harmonic rhythm could spell the difference between chaos and communication.

Harmonic rhythm can be steady or mercurial, can speed up or slow down in congruence or in contrast with the surface rhythm.

For much of my music, the harmonic rhythm is crucial. From time to time, I’ve even composed the harmonic rhythm of a piece before any other element.

Is this a facet of music you pay much attention to? Or do you think it’s overrated?
posted by Lawrence Dillon 4:43 PM

Monday, November 21, 2005
Huh?

Can someone explain to me why Amazon's offering a special deal if you purchase Elliott Carter's harmony book together with John Steinbeck's "Once There was a War"? Thanks.
posted by David Salvage 12:38 AM


 


Search WWWSearch www.sequenza21.com