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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

In praise of Paul Dessau
Fascinatin' Rhythm
BBC thinks again on free downloads
Send Lawyers, Guns and Money
Doctor Atomic continued
Kurt�g Wins Grawemeyer
Long Time Passing
Annie Proulx chooses uptown music
In Praise of Harrington
Sir Norman's Bad Day


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Thursday, December 01, 2005
Dream Music for Waking States

Call it the New York City marathon for lovers of postclassic music or even the Ring for solo cello. Charles Curtis will launch on Saturday a series of seven concerts over fifteen days in intimate New York venues of works created for him by La Monte Young, Eliane Radigue and Alvin Lucier, as well as a major composition by early Minimalist Terry Jennings, and Morton Feldman's Patterns in a Chromatic Field. The series is titled Waking States and will open Saturday night at 8 pm with La Monte Young's three and a half hour Abstract #1 (2003) from Quadrilateral Phase Angle Traversals with Dream Light,actually a setting of a combination of elements of Young's magnum opus The Well-Tuned Piano with raga and Dream Music. The Young program will be repeated on December 10 and 17 at the MELA Foundation Dream House, 275 Church Street (between Franklin and White). Reservations: mail@melafoundation.org 212-925-8270

Says here in the program notes that "These mostly concert-length works treat time, frequency and human experience as an undivided state of awareness; over the long durations of the individual works, and the series, sound elicits unique qualities of sentience, focus and attentiveness." To which I say: But, if so, to what extent? But, it looks like a great project. See complete details.

Cary Boyce has posted a long and thoughtful piece in the Composers Forum with many helpful tips about how to get your music played. Don't miss it.

 



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