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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Friday, December 02, 2005
An American Tragedy Debuts Tonight at Met

Now that it's clear that Dr. Atomic hasn't blown everyone away, (I heard that moaning) the attention of the relative handful of Americans who care about new opera turns to tonight's premiere of Tobias Picker's An American Tragedy at the Met. Based on the 1925 Theodore Dreiser novel, which was itself inspired by a sensational real-life murder case that drew national headlines in 1906, the story would seem to be a perfect fit for Picker who has been drawn in the past to naturalist stories with complex, humanistic overtones. His 1996 opera Emmeline, which debuted in Santa Fe and was staged at the New York City Opera in 1998, is a heartbreaking New England Oedipus story and one of the few genuine masterpieces of American opera to emerge in the last decade.

Although Picker's principal teachers were guys whose work I find too gnarly by half--Charles Wuorinen, Elliott Carter and Milton Babbitt--his stage work has an emotional--vibrantly human--core that lifts it out of the academic ghetto and places it squarely in the realm of the universal. His music is as complex as it needs to be without sacrificing any of its raw visceral power.

The splendid cast includes Nathan Gunn, Susan Graham, Patricia Racette and Jennifer Larmore. James Conlon is the conductor. The librettist is Gene Scheer and the director is Francesca Zambello, both of whom collaborated with Picker on his last opera Th�r�se Raquin, which had its world premiere at the Dallas Opera in 2001 and was subsequently performed in Montreal and San Diego.
posted by Jerry Bowles 12/02/2005



 
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