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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
Music From Other Minds
Philadelphia Sounds: Radiance and Reflection
Babies and All That Jazz
Copland and Eisler
Like Wow
How Strange is the Change from Major to Minor
David Hockney's 'Private Passions'
"The Little Prince" at City Opera
Pointers
ACO at Zankel


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Sunday, November 20, 2005
Technobile

'In our cold modern world it seems that everything has to be measured - and now computers are doing it to music. As anyone with an iPod or other digital music player knows, as a song is played, a little black dot moves along the line between "start" and "finish", with an onscreen counter telling us how much time remains. Every chord takes us deeper into the song but closer to the end.

These devices for playing music and video seem to think we want to know precisely how long the whole thing is going to last, and how far through the experience we are. Yet for many people, an important element of music is its ability to take us out of a normal consciousness of time. A really good song or piece of music takes us far away from the clock that paces out our more mundane activities. As we listen, we dream - at our desk, at our sink or on the train - with no idea whether our mind has been roaming free for a few moments or much more.

Music replaces clock time with musical time, a completely different way of guiding our thoughts and feelings through an experience with its own shape, its own build-up of tension and its own resolution. Our favourite songs seem timeless in more ways than one.

So what does it do to us to be timed precisely through every second of a favourite song? More and more people download music as single tracks and listen to them on the computer through programs such as iTunes. It is hard not to be aware of that little black button relentlessly advancing towards the end of the line. It can produce a peculiar clash of sensations.'

From an excellent article in the Guardian titled Technobile by Susan Tomes, who is a wonderful pianist, member of the Florestan Trio, and author of a highly recommended book, 'Between the notes.'

Visit Is classical music too fast? for the full story, and some interesting audio files, of really slow music

Picture credit - BZ-Com
Report broken links, missing images, and other errors to - overgrownpath at hotmail dot co dot uk
posted by Pliable 11/20/2005



 
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