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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
Issue Project Room Dispatch
Rockin' in the Free World
Kronos Quartet: San Diego Nov. 9
Silent protest
Did Berio have help?
New music .....
Stuffed
'The classical world is imploding'
What's In A Name?
Harrison Birtwistle's 'Private Passions'


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Sunday, November 13, 2005
Philadelphia Sounds: Fresh Ink with Wu Man


Wu Man returned to open the Fresh Ink season with pipa music old and new. A concert by Wu Man is always a lesson in technique, styles, and this time, in history of how the instrument is used. Notes come in continuously-strummed clusters or sharp single plucks, stopped or reverberating, straight and bent, slow and lyrical or fast and martial.

Traditional tunes for the pipa, written in the 16th and 19th centuries, did not sound much different than the newly composed pieces on this program; the distinction was in the use of accompanying percussion effects. The world premiere of Eric Moe's 2004 The Sun Beats the Mountain Like a Drum features electroacoustic percussion along with a livelier string sound;notes are sharper and less melodic, and the instrument is played more like an electric guitar. The pre-recorded track also includes chant, and there is more textural variation in the pipa sound, and tricky passages where the pipa is played in a different rhythm than the accompaniment.

Ancient Dances (2005) by Chen Yi and Wu Man is based on poems by Li Bai from the 8th century, with a wide range of live percussion performed by Robert Schulz and very interesting videography by Catherine Owens. The percussion is never done just for show and provides the proper accompanying atmosphere, and the smoothly changing watercolor graphics blend well with the sounds in the second movement. This piece shows great energy and liveliness, and together with the visual and audio effects, presents a complete and impressive experience.

(Reposted from Penn Sounds 11/11/05)
posted by Deborah Kravetz 11/13/2005



 
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