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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
John Peel's 'Private Passions'
Last Night in L.A. - Glory, Glory
New Stuff
Another New Blog
New Music in New York
It's a Boy, Mrs. Minchew. It's a Boy.
Last Night in L.A. - Messiaen Marathon
Mr. Postman, If You Please
Blackdogred Friday aka Scooter's Lament
I Come in Peace Edition


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Friday, November 04, 2005
Good Morning and Good Luck

We've been having a lot of server problems lately so we--mainly Jeff Harrington--are moving Sequenza21 to a new service provider. Some time today or tonight, I will ask the nice people at Network Solutions to "point the DNS address" to the new server. It may take a little time for the site to "repopulate" so if we lose you for awhile, don't panic. Write this number down on a piece of paper somewhere: http://69.5.10.211/ If nothing happens when you go http://www.sequenza21.com you can find us at that address. The whole thing should resolve itself in a few hours but, of course, we all know that whatever can go wrong probably will.

Our buddy Pliable at On an Overgrown Path has some thoughts about Naxos and our new Naxos Blog.

UPDATE: It's easy for a music director to display "depth" by programming tested works from the past, it takes a lot more courage to program new works. Christina Fong writes that Marin Alsop is "one of a very small handful of conductors in the world who seems to have a genuine knowledge and passion for new music."

My first freelance writing gig in New York nearly 40 years ago was writing short reviews of upcoming shows for Art News magazine, an enterprise that involved climbing up miles of stairs into what were then illegal and often dangerous lofts in Soho for a sneak preview of what art lovers would be viewing the following month. At $5 a review, it didn't pan out as the road to riches but there were compensations. Artists like Jasper Johns, Sol LeWitt and Arakawa gave me pieces of their work (which I still have) and I met a lot of great people, including John Ashbury, who was an editor at Art News in those days. He was a great guy and magnificent talent even then and--as Blackdogred writes today--he still is.
posted by Jerry Bowles 11/04/2005



 
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