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SEQUENZA21/
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Saturday, November 12, 2005
Did Berio have help?

In the, um, lively comments about Julius Eastman, this sentence by Lawrence Dillon triggered a memory of something I haven't thought about for some time:

But in the end, Berio's work made a direct, immediate impact on a multitude of composers.

To which I cynically replied to myself, "Yeah, he had an immediate impact on all the composers who helped him fufill his commissions."

Maybe this is common knowledge on this board and I'm out of the loop, but years ago I heard rumors that Berio had bitten off more than he could chew in accepting commissions, and that he recruited other composers to help him write his pieces.

When I was an undergrad at U of Michigan back in the early '80's, a German ethnomusicologist/composer visited our composition seminar, played some of his works, and spent a few minutes talking about how he helped Berio orchestrate one of his pieces. No, I don't remember the name of the German composer (he wasn't anyone well-known in the U.S. at the time, or I would have remembered), and I don't recall him specifying which of Berio's works he had worked on.

Then, when I got to UC San Diego in 1985, former students of Bernard Rands told me that Rands had helped Berio write some pieces.

Berio is dead. No one can jeopardize their careers by gossiping about him. I wouldn't have any less respect for him if he had help orchestrating his music, or even composing it; Debussy definitely farmed out his orchestration (parts of Images, Khamma), and I've heard that Prokofiev did likewise.

I'd just like to know. I've never seen anything written on the subject of Berio's assistants. So, can anyone else here confirm or debunk this? If it's true, who helped him?
posted by Christian Hertzog 11/12/2005



 
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