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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
Oy, Vey
Zen and the Art of Composing
Terry Riley - Requiem for Adam
Keep twiddling the knobs Stocky...........
Singende S�ge
Breaking News
Criticism and Mortality
Operation Sweet Dreams
What Becomes a Legend Most?
Xenakis and alternatives to the internet


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Sunday, October 23, 2005
Medieval or Modern?

Question: When does Jerry Bowles allow me to write about Tallis' sublime motet Spem in Alium, composed in the 16th century, on Sequenza21?

Answer: When it is playing as part of a performance installation in the Museum of Modern Art in New York.

Back in May I wrote about Janet Cardiff's Forty Part Motet when it was installed at the Norwich and Norfolk Festival (photo right), and a fellow blogger reports it is now playing at the revamped MOMA. The installation uses a specially commissioned recording of Tallis' Forty Part Motet Spem in Alium with forty discrete audio channels (via DAT) for each of the voices. Forty B&W DM303 speakers are located around the periphery, grouped in eight blocks of five reflecting the five SATB voice groupings in Tallis' score.

For links to a lot more detail, and photos, take An Overgrown Path to You Saw It Here First....

Photo credit - Taken by my son on his mobile phone!
posted by Pliable 10/23/2005



 
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