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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
Shall I Compare Thee?
It Had a Good Beat and Was Easy to Dance to
If It�s Good Enough for Kronos, It�s Good Enough for Me
Meanwhile, Back at the Ranch
Atomic Scorecard
�Watching Ligeti Move� at Miller Theater
Live From the Fallout Shelter
The Fire Next Time
Doctor Atomic tonic
Last Night in L.A. - Channeling Carlos Ch�vez


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Wednesday, October 05, 2005
Last Night in L.A. - Stockhausen's Mantra

I have a big box labeled "I Don�t Like This Music" (which is much less full than it used to be), and I used to throw Stockhausen into it. But I kept hearing music by him which didn�t fit my perception and kept coming out of the box. Even so, last night was a revelation for me.

PianoSpheres opened its new season with Vicki Ray and her CalArts colleague Liam Viney, assisted on electronics by Shaun Naidoo in a performance of Stockhausen�s Mantra for two pianos and percussion with electronics. The pianists also played wood blocks and crotales, those tuned cymbals that produce bell-like sounds, to provide the colors Stockhausen wanted. The electronics are used to modulate the tones from the piano to add additional pitches, producing an other-worldly set of notes. The music has a wide range of feeling and attitude, including an �argument� between the two pianos in which they compete to have the last word.

I found an essay by another fan of the work at this site. Good old Amazon has 25 samples from the music here. In last night�s performance the electronic sounds were less prominent than in the sound clips from the recording so I can listen to the clips this morning and hear something quite different from what I experienced last night. The sound clips are too short to draw you in, so I can�t compare the recording to last night�s concert.

I really liked Mantra. I was captured by it. The hour went by and seemed like 15 minutes. Can you imagine Webern re-writing Schumann�s romantic piano pieces? That�s the closest comparison I can think of.
posted by Jerry Zinser 10/05/2005



 
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