Performer Blogs@Sequenza21.com

The career of pianist Jeffrey Biegel has been marked by bold, creative achievements and highlighted by a series of firsts.

He performed the first live internet recitals in New York and Amsterdam in 1997 and 1998, enabling him to be seen and heard by a global audience. In 1999, he assembled the largest consortium of orchestras (over 25), to celebrate the millennium with a new concerto composed for him by Ellen Taaffe Zwilich. The piece, entitled 'Millennium Fantasy for Piano and Orchestra', was premiered with the Cincinnati Symphony Orchestra. In 1997, he performed the World Premiere of the restored, original 1924 manuscript of George Gershwin's 'Rhapsody in Blue' with the Boston Pops. Charles Strouse composed a new work titled 'Concerto America' for Biegel, celebrating America and honoring the heroes and events of 9-11. Biegel premiered the piece with the Boston Pops in 2002. He transcribed the first edition of Balakirev's 'Islamey Fantasy' for piano and orchestra, which he premiered with the American Symphony Orchestra in 2001, and edited and recorded the first complete set of all '25 Preludes' by Cesar Cui.

Currently, he is assembling the first global consortium for the new 'Concerto no. 3 for Piano and Orchestra' being composed for him by Lowell Liebermann for 2005-06-07. The World Premiere will take place with the Milwaukee Symphony Orchestra, conducted by Andreas Delfs on May 12-14 2006, followed by the European Premiere with the Schleswig Holstein Symphony Orchestra, conducted by Gerard Oskamp, February 6-9, 2007.

Biegel is currently on the piano faculty at the Brooklyn Conservatory of Music at Brooklyn College, at the City University of New York (CUNY) and the Graduate Center of the City University of New York (CUNY).

Visit Jeffrey Biegel's Web Site
Friday, September 02, 2005
LPO--Relief

I was so happy to reach my friend, Dan Weilbaecher, who teaches at Tulane and runs the piano competition for the New Orleans Musical Arts Society. He is with friends in Lafayette--where conductor Xiao-Lu Li also said all is well. And when Carlos Miguel Prieto, new music director of the Louisiana Philharmonic, replied from Spain that he was safe and that the LPO staff were safe, I had a warm sense of relief.

If there are orchestras out there or schools needing adjunct teachers, this is perhaps the best time to post these opportunities for any LPO staff and musicians to read, as they are now in a position to seek out and find interim employment. There are web sites that offer this such as www.myauditions.com and Drew McManus' Adaptistration at: http://www.artsjournal.com/adaptistration/archives/2005/08/important_infor.html.

Perhaps someday in the coming times that they will all be able to return to a rebuilt city they called home. Our prayers continue to go out to everyone afflicted by this horrific disaster and those whose lives perished from it.