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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Pliable Wednesday
Bard Copland
Tuesday Will Be Our Good News Day
Robert Moog is Dead
20th century Composers Benefit Remarkable Cause
Early Autumn
Piano Man mystery ends - almost
A-be, A-be, A-be...That's Bach, Folks
Ooops
Steve Reich Receives The Edward MacDowell Medal


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Thursday, August 25, 2005
The Real 'Piano Man'

The identity of the real 'piano man' is revealed. And he was a ceaseless champion, and composer, of contemporary music.

John Ogdon (right) was best known as a peerless interpreter of the Russian romantic repertoire. But he also championed, and played, the work of contemporary composers. These ranged from Kaikhosru Sorabji ( whose four hour epic, Opus Clavicembalisticum, he performed and recorded) to Ronald Stevenson, Christopher Headington, David Blake, Malcolm Williamson, Richard Yardumian, and his long-time friend and supporter Gerard Schurmann. He was the dedicatee of Peter Maxwell Davies' first two published works. He was also a prolific composer, and wrote his Theme and Variations for Vladimir Ashkenazy, and recorded his own Piano Concerto for EMI.

And in an eerie resonance with the recent 'Piano Man' story Ogdon was a lifelong sufferer from mental illness, and attempted to take his own life three times. But he died, aged 52, in August 1989 of natural causes.

The real 'piano man' is the portrait both of an extraordinary musician, and of an extraordinary life. His work deserves wider recognition, On An Overgrown Path has the full story.

 



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