Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


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David Salvage

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Corey Dargel

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Lou Bunk

Hooks
Cary Boyce

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Lawrence Dillon

Post-Tonal Pickup Lines
David Salvage

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Lawrence Dillon


Beepsnort Lisa Hirsch


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Monday, August 08, 2005
Music and Gender

Do you think some composers – regardless of their gender – write “masculine” or “feminine” sounding music? Is it plain silly to say that Beethoven is manly and Debussy womanly – or is there something interesting (if not really accurate) behind such statements?

To really play the provocateur, let me take the discussion into the present-day. Look out!

Wuorinen: masculine
Rorem: feminine
Reich: neuter
Ligeti: feminine
Messiaen: masculine
Ferneyhough: masculine
Gordon: masculine
Ades: feminine
Adams: masculine
Corigliano: masculine
Glass: neuter
Murail: feminine

 



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