Performer Blogs@Sequenza21.com

The career of pianist Jeffrey Biegel has been marked by bold, creative achievements and highlighted by a series of firsts.

He performed the first live internet recitals in New York and Amsterdam in 1997 and 1998, enabling him to be seen and heard by a global audience. In 1999, he assembled the largest consortium of orchestras (over 25), to celebrate the millennium with a new concerto composed for him by Ellen Taaffe Zwilich. The piece, entitled 'Millennium Fantasy for Piano and Orchestra', was premiered with the Cincinnati Symphony Orchestra. In 1997, he performed the World Premiere of the restored, original 1924 manuscript of George Gershwin's 'Rhapsody in Blue' with the Boston Pops. Charles Strouse composed a new work titled 'Concerto America' for Biegel, celebrating America and honoring the heroes and events of 9-11. Biegel premiered the piece with the Boston Pops in 2002. He transcribed the first edition of Balakirev's 'Islamey Fantasy' for piano and orchestra, which he premiered with the American Symphony Orchestra in 2001, and edited and recorded the first complete set of all '25 Preludes' by Cesar Cui.

Currently, he is assembling the first global consortium for the new 'Concerto no. 3 for Piano and Orchestra' being composed for him by Lowell Liebermann for 2005-06-07. The World Premiere will take place with the Milwaukee Symphony Orchestra, conducted by Andreas Delfs on May 12-14 2006, followed by the European Premiere with the Schleswig Holstein Symphony Orchestra, conducted by Gerard Oskamp, February 6-9, 2007.

Biegel is currently on the piano faculty at the Brooklyn Conservatory of Music at Brooklyn College, at the City University of New York (CUNY) and the Graduate Center of the City University of New York (CUNY).

Visit Jeffrey Biegel's Web Site
Thursday, August 11, 2005
Gone 'Bolling' with Eugenia Zukerman

I typically try to refrain from writing about every concert experience, but this time is particularly exciting. Having worn out the 1973 cassette of the Claude Bolling 'Suite for Flute and Jazz Piano' (and lost the thing--had to find the cd online), and the fact that the amazing flutist, Eugenia Zukerman performed and toured with Claude Bolling with his 'Suite for Flute and Jazz Piano' during the 1980s, made the first rehearsal a dream come true for me. The recording with Jean-Pierre Rampal was a big hit back in the mid-1970s, and is such a remarkable piece blending jazz with Baroque. Accompanying us is the bassist Pablo Aslan and percussionist John Hollenbeck. [The concerts are Saturday evening (August 13) and Sunday afternoon (August 14) at the Barge by the Brooklyn Bridge]. The sound of the live instruments gave me the chance to feel free, improvising and taking in the glorious sound of my fellow instrumentalists. After 30 years, I finally got the piece out in the open and watched the boats passing along the New York skyline--that the boat rocked quite a bit was par for the course, but worth every rock and sway.