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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Tuesday Poco Meno Mosso
Lumina String Quartet at Europe/Asia 2005 Festival of Modern Music in Kazan, Republic of Tatarstan, Russia � Part 6
Monday Con Moto
Music-like-water
RIP: Arthur Zankel
And So, Week Three
Chill to Shankar sitars in BBC Proms webcast
Far Out Thursday
Hot, Weird Day Hits New York
Jenny Lin and �Preludes to a Revolution� at The Stone


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Tuesday, August 02, 2005
Golijov's Miracle in Santa Fe

Mark Swed, writing in the Los Angeles Times, says Osvaldo Golijov's ill-fated first opera has made a miraculous recovery:
Death, like all those tourists packing every corner of Santa Fe in its high season, happily takes a holiday under the blazing sun of this glorious desert.

Death has pervaded the stage of Santa Fe Opera, where Osvaldo Golijov's "Ainadamar," a sad opera about the fascist murder of the poet and playwright Federico Garc�a Lorca during the Spanish Civil War, has just gotten sadder. And more violent. And more rhapsodic. And more relevant. In it, death is now encapsulated. In that encapsulation comes the promise of rebirth. And in the rebirth, a failed opera, reconceived and rewritten, was reborn here as well Saturday night.

 



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