Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



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Die, Beethoven. Die
Jerry Bowles

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Critical Experiment
Tom Myron

first performances
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Digital Killed the Concert Hall Star?
Galen H. Brown

who's in, who's out?
David Toub

Expressive Range
Lawrence Dillon

Mr. Postman, If You Please
Jerry Bowles

We Get Letters Over Here, Too
Jerry Bowles


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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Sunday, June 12, 2005
We're Still Here

Like Beth Anderson (Hi Beth!), life here is pretty busy. But some things need saying, so:

- I sigh (!) whenever someone says about our sheer numbers "I suspect" or "I think".
The info is out there -- we're legions, in the thousands -- and has been pushed hard since the '80s in a number of publications (including my own 3-book Greenwood Press series, The Musical Woman - An International Perspective).

For example, there are two current posters that profile hundreds of women composers through the ages, one published by Leonarda Productions, the other by Hildegard Press. And, these are being bought by elementary schools (!).

- Statistics for exposure in prime venues remain grim. In one early'90s speech I tried to 'spin' the mildly encouraging upward trend at that time to indicate we were on the cusp of matching Germaine Tailleferre's c. 18% 'share' of Les Six, but there's been a distinct fall-off since the mid'90s.

 



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