Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


another piano man
David Toub

I Me Mine
Galen H. Brown

Sequenza21 -- The Concert
David Salvage

Point of Order
Jerry Bowles

Overall Mediocrity
Corey Dargel

More Praise for Famous Men?
Jerry Bowles

In Medias Res I: Back to Bach's Example
Gregory Hall

The Music Critic as Victim
Jerry Bowles

Know Your Critic
Jerry Bowles

Audience Cross-Pollination
Galen H. Brown


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Wednesday, June 01, 2005
More James Tenney

If, like me, you felt the two concerts of James Tenney in New York last month weren't nearly enough, you'll hopefully enjoy reading a series of conversations I had with him that week which we've just published on NewMusicBox. And for folks who missed those amazing concerts, be sure to watch the video which features clips from the Project Room performance as well as some rehearsal footage from the Whitney Altria.

Since May I've been madly attempting to track down every Tenney recording I don't already have. And to get the polemical waves gushing over here on Sequenza21, who else thinks that Tenney's For piano and... should be considered for the 2005 Pulitzer Prize?

 



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