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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

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David Salvage

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Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Saturday, June 11, 2005
Last Night at Ojai: Great Sax



The Cleveland Orchestra was the main course of this year�s Ojai Festival, performing last night in the band shell in the park called the Libbey Bowl. The high point of the concert was the Concerto for Alto Saxophone and Wind Ensemble (1949) by Ingolf Dahl. Joseph Lulloff was the soloist in this brilliant work, handling all of the demands of the music which was once thought to be so difficult that Dahl prepared and authorized a simplified version in 1953. What a great piece. The Cleveland winds (plus four basses and three percussionists) played superbly in support of the soloist and the conductor. You have to admire Franz Welser-Most for being willing to make a difficult modern work--with a composer whose name is regrettably now unknown to most would-be audiences--the centerpiece of a tour, but the Clevelanders were up to the task. This was an especially nice gesture to Ojai, since Dahl was director at Ojai for three years while he was a beloved teacher at USC. What wonderful composers Los Angeles was blessed with for a too-short period! (This would make an interesting cycle for the Phil some year.)

Another nice touch was beginning the concert with Stravinsky�s Dumbarton Oaks concerto for chamber orchestra, appropriate since Dahl was an assistant to Stravinsky, well-known for his course on Stravinsky�s music, and an advocate for Stravinsky during a period after WWII when he was losing popularity. Once again the Cleveland players seemed without flaw in a dry, witty, elegant performance. The Stravinsky was a great match for the saxophone concerto to follow, which more than held its own in comparison.

Unfortunately, the second half of the concert went nowhere. It was well-played and elegant, with Debussy�s Nuages, and concluding with Mozart�s Linz symphony. But after all of the energy generated in the first half of the concert, it was a letdown. The choices made it seem that the Cleveland programmers felt that spending half of a concert on things relatively modern was more than enough, thank you, so back to more comfortable works.

 



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